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Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation

Auteur(s) : Burke, David (19..-.... ; historien)  Voir les notices liées en tant qu'auteur

Titre(s) : The Lawn Road Flats [Texte imprimé] : spies, writers and artists / David Burke

Publication : Woodbridge (GB) : the Boydell press, copyright 2014

Description matérielle : 1 vol. (XX-271 p.-[16] p. de pl.) : ill. ; 25 cm

Collection : History of British intelligence, ISSN 1756-5685

Lien à la collection : History of British intelligence 


Note(s) : Bibliogr. p. 255-261. Index
The Isokon building, Lawn Road Flats, in Belsize Park on Hampstead's lower slopes, is a remarkable building. The first modernist building in Britain to use reinforced concrete in domestic architecture, its construction demanded new building techniques. But the building was as remarkable for those who took up residence there as for the application of revolutionary building techniques. There were 32 Flats in all, and they became a haunt of some of the most prominent Soviet agents working against Britain in the 1930s and 40s, among them Arnold Deutsch, the controller of the group of Cambridge spies who came to be known as the "Magnificent Five" after the Western movie 'The Magnificent Seven'; the photographer Edith Tudor-Hart; and Melita Norwood, the longest-serving Soviet spy in British espionage history. However, it wasn't only spies who were attracted to the Lawn Road Flats, the Bauhaus exiles Walter Gropius, Laszlo Moholy-Nagy and Marcel Breuer; the pre-historian V. Gordon Childe; and the poet (and Bletchley Park intelligence officer) Charles Brasch all made their way there. A number of British artists, sculptors and writers were also drawn to the Flats, among them the sculptor and painter Henry Moore; the novelist Nicholas Monsarrat; and the crime writer Agatha Christie, who wrote her only spy novel 'N or M? in the Flats'. The Isokon building boasted its own restaurant and dining club, where many of the Flats' most famous residents rubbed shoulders with some of the most dangerous communist spies ever to operate in Britain


Sujet(s) : Artistes -- Habitations -- Londres (GB) -- 20e siècle  Voir les notices liées en tant que sujet
Espions -- Habitations -- Londres (GB) -- 20e siècle  Voir les notices liées en tant que sujet
Espionnage soviétique -- Grande-Bretagne -- 20e siècle  Voir les notices liées en tant que sujet
Londres (GB) -- Isokon Building  Voir les notices liées en tant que sujet

Indice(s) Dewey :  327.124 70092 (23e éd.) = Espionnage et subversion - Europe de l'Est Russie - Biographie  Voir les notices liées en tant que sujet


Identifiants, prix et caractéristiques : ISBN 9781843837831. - ISBN 1843837838 (rel.)

Identifiant de la notice  : ark:/12148/cb45665851r

Notice n° :  FRBNF45665851 (notice reprise d'un réservoir extérieur)



Table des matières : Prologue ; Remembrance of things past: Hampstead man among 'The Modernists' ; National planning for the future and the arrival of Walter Gropius ; 1935: 'Art crystallises the emotions of an age'. Musicology and the art of espionage ; Arnold Deutsch, Kim Philby and Austro-Marxism ; The Isobar, Half-Hundred Club and the arrival of Sonya ; The plot thickens: Jurgen Kuczynski, Agatha Christie and Colletts Bookshop ; Refugees, the Kuczynski network, Churchill and Operation Barbarossa ; Klaus Fuchs, Rothstein once more, and Charles Brasch ; Vere Gordon Childe ; The New Statesman, Ho Chi Minh and the end of an era ; Epilogue.

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