Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : sans médiation
Titre(s) : The Cambridge companion to music in digital culture [Texte imprimé] / edited by Nicholas Cook, Monique M. Ingalls, David Trippett
Publication : Cambridge, United Kingdom ; New York : Cambridge University Press, 2019
Description matérielle : xiv, 332 pages : illustrations ; 25 cm
Collection : Cambridge companions to music
Lien à la collection : Cambridge companions to music
Note(s) : Includes bibliographical references and index
The impact of digital technologies on music has been overwhelming: since the commercialisation
of these technologies in the early 1980s, both the practice of music and thinking
about it have changed almost beyond all recognition. From the rise of digital music
making to digital dissemination, these changes have attracted considerable academic
attention across disciplines,within, but also beyond, established areas of academic
musical research. Through chapters by scholars at the forefront of research and shorter
'personal takes' from knowledgeable practitioners in the field, this Companion brings
the relationship between digital technology and musical culture alive by considering
both theory and practice. It provides a comprehensive and balanced introduction to
the place of music within digital culture as a whole, with recurring themes and topics
that include music and the Internet, social networking and participatory culture,
music recommendation systems, virtuality, posthumanism, surveillance, copyright, and
new business models for music production
Autre(s) auteur(s) : Cook, Nicholas (1950-....). Éditeur scientifique
Ingalls, Monique Marie (1981-....). Éditeur scientifique
Trippett, David (1980-....). Éditeur scientifique
Autre(s) forme(s) du titre :
- Autre forme du titre : Music in digital culture
Sujet(s) : Musique et technologie
Musique sur Internet
Médias numériques -- Société
Musique et société
Identifiants, prix et caractéristiques : ISBN 9781107161788. - ISBN 1107161789. - ISBN 9781316614075. - ISBN 1316614077. -
ISBN 9781108665728 (erroné)
Identifiant de la notice : ark:/12148/cb46806710c
Notice n° :
FRBNF46806710
(notice reprise d'un réservoir extérieur)
Table des matières : Machine generated contents note: 1.Digital Technology and Cultural Practice / Nicholas
Cook ; Personal Take: Whatever Happened to Tape-Trading? / Lee Marshall ; 2.Toward
a History of Digital Music: New Technologies, Business Practices and Intellectual
Property Regimes / Martin Scherzinger ; Personal Take: On Serving as an Expert Witness
in the `Blurred Lines' Case / Ingrid Monson ; 3.Shaping the Stream: Techniques and
Troubles of Algorithmic Recommendation / K.E. Goldschmitt and Nick Seaver ; Personal
Takes: Being a Curator / Ben Sinclair ; Can Machines Have Taste? / Stephan-Eloise
Gras ; 4.Technologies of the Musical Selfie / Jason Stanyek ; Personal Take: Vaporwave
is Dead, Long Live Vaporwave! / Adam Harper ; 5.Witnessing Race in the New Digital
Cinema / Peter McMurray ; Personal Take: Giving History a Voice / Mariana Lopez
; 6.Digital Devotion: Musical Multimedia in Online Ritual and Religious Practice /
Monique M. Ingalls ; Personal Takes: Technicians of Ecstasy / Graham St John ;
Note continued: Live Coded Mashup with the Humming Wires / Sam Aaron ; Algorave:
Dancing to Algorithms / Alex McLean ; 7.Rethinking Liveness in the Digital Age /
Paul Sanden ; Personal Takes: Augmenting Musical Performance / Andrew McPherson
; Digital Demons, Real and Imagined / Steve Savage ; Composing with Sounds as Images
/ Julio d'Escrivan ; Compositional Approaches to Film, TV and Video Games / Stephen
Baysted ; 8.Virtual Worlds from Recording to Video Games / Isabella van Elferen
; 9.Digital Voices: Posthumanism and the Generation of Empathy / David Trippett ;
Personal Take: In the Wake of the Virtual / Frances Dyson ; 10.Digital Inequalities
and Global Sounds / Shzr Ee Tan ; 11.The Political Economy of Streaming / Martin
Scherzinger.
