Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : sans médiation
Titre(s) : Native Americans on film [Texte imprimé] : conversations, teaching, and theory / edited by M. Elise Marubbio and Eric L. Buffalohead
Publication : Lexington, Kentucky : The University Press of Kentucky, cop. 2013
Description matérielle : viii, 390 pages : illustrations ; 24 cm
Comprend : Introduction: talking back, moving forward ; 1. Theoretical conversations ; Dimensions
of difference in indigenous film / Houston Wood ; Reading Nanook's smile: visual
sovereignty, indigenous revisions of ethnography, and Atanarjuat: The fast runner
/ Michelle H. Raheja ; Dismantling the master's house: the feminist fourth cinema
documentaries of Alanis Obomsawin and Loretta Todd / Jennifer L. Gauthier ; Indigenous
(re)memory and resistance: video works by Dana Claxton / Carla Taunton ; 2. Pedagogical
conversations ; Native resistance to Hollywood's persistence of vision: teaching
films about contemporary American Indians / Carole Gerster ; Geographies of identity
and belonging in Sherman Alexie's The business of fancydancing / Amy Corbin ; Teaching
Native American filmmakers: Osawa, Eyre, and Redroad / Angelica Lawson ; "The native's
point of view" as seen through the native's (and non-native's) points of view / Sam
Pack ; The dirt roads of consciousness: teaching and producing videos with an indigenous
purpose / Beverly Singer ; 3. Conversations with filmmakers ; "Pockets full of stories":
an interview with Sterlin Harjo and Blackhorse Lowe / Joanna Hearne and Zack Shlachter
; Wrestling the greased pig: an interview with Randy Redroad / M. Elise Marubbio
; An upstream journey: an interview with Sandra Osawa / Saza Osawa ; Video as community
ally and Dakota sense of place: an interview with Mona Smith / Jennifer A. Machiorlatti
; The journey's discovery: an interview with Shelley Niro / Elizabeth Weatherford.
Note(s) : Includes bibliographical references and index. - Includes filmography
"The film industry and mainstream popular culture are notorious for promoting stereotypical
images of Native Americans: the noble and ignoble savage, the pronoun-challenged sidekick,
the ruthless warrior, the female drudge, the princess, the sexualized maiden, the
drunk, and others. Over the years, Indigenous filmmakers have both challenged these
representations and moved past them, offering their own distinct forms of cinematic
expression. Native Americans on Film draws inspiration from the Indigenous film movement,
bringing filmmakers into an intertextual conversation with academics from a variety
of disciplines. The resulting dialogue opens a myriad of possibilities for engaging
students with ongoing debates: What is Indigenous film? Who is an Indigenous filmmaker?
What are Native filmmakers saying about Indigenous film and their own work? This thought-provoking
text offers theoretical approaches to understanding Native cinema, includes pedagogical
strategies for teaching particular films, and validates the different voices, approaches,
and worldviews that emerge across the movement."--Publisher's website
Autre(s) auteur(s) : Marubbio, M. Elise (1963-....). Éditeur scientifique
Buffalohead, Eric L. (1965-....). Éditeur scientifique
Sujet(s) : Indiens d'Amérique -- Au cinéma
Indiens d'Amérique dans l'industrie du cinéma -- États-Unis
Réalisateurs de cinéma indiens d'Amérique -- États-Unis
Genre ou forme : Entretiens
Indice(s) Dewey :
791.436 52997 (23e éd.) = Cinéma - Thème des peuples autochtones de l'Amérique du Nord
Identifiants, prix et caractéristiques : ISBN 9780813136653 (hardcover) (alk. paper). - ISBN 0813136652 (hardcover) (alk. paper).
- ISBN 9780813136813 (erroné) (pdf). - ISBN 9780813140346 (erroné) (epub)
Identifiant de la notice : ark:/12148/cb43628620j
Notice n° :
FRBNF43628620
(notice reprise d'un réservoir extérieur)
