Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation
Auteur(s) : Telotte, J. P. (1949-....)
Titre(s) : Movies, modernism, and the science fiction pulps [Texte imprimé] / J. P. Telotte
Publication : New York, NY : Oxford University Press, [2019]
Description matérielle : viii, 192 pages : illustrations ; 24 cm
Note(s) : Includes bibliographical references, filmography, and index
"Cinematic influence shaped the experience and cultural understanding of science fiction
during the formative pre-World War II period. Each chapter focuses on representations
of film in pulp magazines -film-related advertisements; a film-related rhetoric that
surfaced in science fiction stories; fans' and editors' discussions of film; and the
covers and story illustrations for which the pulps were infamously known. The book's
final chapter considers how, during the war and the decade immediately following,
that cinematic influence shifted due to the recession of the modernist agenda and
an array of new technologies, including television. By looking at those pulps during
the key period in the development of science fiction, this book lays out film's early
imprint on the genre and suggests the extent of its influence--an influence that would
culminate in both SciFi film and literature coming into separate but equally impressive
cultural prominence at approximately the same moment during the 1950s"
Sujet(s) : Science-fiction américaine -- 1900-1945
Pulps -- États-Unis -- 1900-1945
Cinéma et littérature -- États-Unis -- 1900-1945
Indice(s) Dewey :
700.415 0973 (23e éd.) = Arts - Symbolisme, allégorie, fantastique, mythe - États-Unis
Identifiants, prix et caractéristiques : ISBN 9780190949655. - ISBN 0190949651. - ISBN 9780190949662. - ISBN 019094966X
Identifiant de la notice : ark:/12148/cb45829689c
Notice n° :
FRBNF45829689
(notice reprise d'un réservoir extérieur)
Table des matières : Introduction: science fiction's "composite" project ; The pulps in the consumer's
republic ; The real thing: the pulps imagine film ; Convergence and the rhetoric
of scientifilm ; Cover stories: visualizing film ; Of war and beyond.
