• Notice

Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : sans médiation

Auteur(s) : Yagoda, Ben (1954-....)  Voir les notices liées en tant qu'auteur

Titre(s) : The B side [Texte imprimé] : the death of Tin Pan Alley and the rebirth of the great American song / Ben Yagoda

Publication : New York : Riverhead Books, a member of Penguin Group (USA), 2015

Description matérielle : 310 pages, 16 unnumbered pages of plates : illustrations, portraits ; 24 cm

Comprend : Premises, premises ; Mr. Miller and Mr. Schwartz, 1954 ; I get a kick out of you, 1885-1933 ; Jukebox Saturday night, 1925-1942 ; As time goes by, 1941-1948 ; What happened to the music?, 1946-1954 ; Brill Building boys, and girl, 1950-1955 ; The big beat, 1951-1968 ; Fly me to the moon, 1939-1965 ; Do you believe in magic?, 1957-1965.

Note(s) : Includes bibliographical references (pages 286-291) and index
An acclaimed cultural historian--drawing on previously untapped archival sources and interviews with such voices as Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert--presents a social history of the great American songwriting era ; "Everybody knows and loves the American Songbook. But it's a bit less widely understood that in about 1950, this stream of great songs more or less dried up. All of a sudden, what came over the radio wasn't Gershwin, Porter, and Berlin, but "Come on-a My House" and "How Much Is That Doggie in the Window?" Elvis and rock and roll arrived a few years later, and at that point the game was truly up. What happened, and why? In The B Side, acclaimed cultural historian Ben Yagoda answers those questions in a fascinating piece of detective work. Drawing on previously untapped archival sources and on scores of interviews--the voices include Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert--the book illuminates broad musical trends through a series of intertwined stories. Among them are the battle between ASCAP and Broadcast Music, Inc.; the revolution in jazz after World War II; the impact of radio and then television; and the bitter, decades-long feud between Mitch Miller and Frank Sinatra. The B Side is about taste, and the particular economics and culture of songwriting, and the potential of popular art for greatness and beauty. It's destined to become a classic of American musical history"


Autre(s) forme(s) du titre : 
- Titre de couverture : B-side


Sujet(s) : Musique populaire -- États-Unis  Voir les notices liées en tant que sujet
Musique -- Édition -- États-Unis -- 1945-1970  Voir les notices liées en tant que sujet
Médias et musique -- États-Unis -- 1945-1970  Voir les notices liées en tant que sujet

Indice(s) Dewey :  782.421 640973 (23e éd.) = Chansons populaires occidentales - États-Unis  Voir les notices liées en tant que sujet


Identifiants, prix et caractéristiques : ISBN 9781594488498 (hardback). - ISBN 1594488495 (hardback)

Identifiant de la notice  : ark:/12148/cb443308967

Notice n° :  FRBNF44330896 (notice reprise d'un réservoir extérieur)



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