Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation
Auteur(s) : Neale, Steve (1950-....)
Titre(s) : Film, cinema, genre [Texte imprimé] : the Steve Neale reader / edited by Frank Krutnik and Richard Maltby
Publication : Exeter, Devon, UK : University of Exeter Press, 2021
Description matérielle : 1 vol. (IX-364 p.) : ill. ; 24 cm
Collection : Exeter studies in film history
Lien à la collection : Exeter studies in film history
Note(s) : Includes bibliographical references and index
"This book brings together key works by pioneering film studies scholar Steve Neale.
From the 1970s to the 2010s Neale's vital and unparalleled contribution to the subject
has shaped many of the critical agendas that helped to confirm film studies' position
as an innovative discipline within the humanities.Although known primarily for his
work on genre, Neale has written on a far wider range of topics. In addition to selections
from the influential volumes Genre (1980) and Genre and Hollywood (2000), and articles
scrutinizing individual genres - the melodrama, the war film, science fiction and
film noir - this Reader provides critical examinations of cinema and technology, art
cinema, gender and cinema, stereotypes and representation, cinema history, the film
industry, New Hollywood, and film analysis. Many of the articles included are recommended
reading for a range of university courses worldwide, making the volume useful to students
at undergraduate level and above, researchers, and teachers of film studies, media
studies, gender studies and cultural studies.The collection has been selected and
edited by Frank Krutnik and Richard Maltby, scholars who have worked closely with
Neale and been inspired by his diverse and often provocative critical innovations.
Their introduction assesses the significance of Neale's work, and contextualizes it
within the development of UK film studies"
Autre(s) auteur(s) : Krutnik, Frank (1956-....). Éditeur scientifique
Maltby, Richard (1952-....). Éditeur scientifique
Sujet(s) : Théorie du cinéma
Critique cinématographique
Histoire du cinéma
Industrie du cinéma -- Histoire
Indice(s) Dewey :
791.430 1 (23e éd.) = Cinéma - Philosophie, théorie, esthétique
Identifiants, prix et caractéristiques : ISBN 9781905816583. - ISBN 1905816588. - ISBN 9781905816590 (erroné). - ISBN 1905816596
(erroné). - ISBN 9781905816606 (erroné). - ISBN 190581660X (erroné)
Identifiant de la notice : ark:/12148/cb47099532g
Notice n° :
FRBNF47099532
(notice reprise d'un réservoir extérieur)
Table des matières : Steve Neale and Film Studies: An Introduction / / Frank Krutnik ; ; Section A.. Beginnings:
; 1.. The Reappearance of Movie : Review in Screen, 16.3 (1975), 112-15 ; ; 2.. Personal
Views : Review in Screen, 17.3 (1976), 118-22 ; ; 3.. The Invention of Cinema : Chapter
3 of Cinema and Technology: Image, Sound, Colour (London: Macmillan, 1985) -- ; Section
B.. Genre(s): ; 4.. Genre : Chapter 3 of Genre (London: British Film Institute, 1980)
; ; 5.. Questions of Genre : ; Screen, 31.1 (1990), 45-66 ; ; 6.. Genre and Hollywood
: ; Chapter 7 of Genre and Hollywood (London: Roudedge, 2000) ; ; 7.. Melodrama and
Tears : ; Screen, 27.6 (1986), 6-23 ; ; 8.. Aspects of Ideology and Narrative Form
in the American War Film : Screen, 32.1 (1991), 33-57 -- ; Section C.. Interventions
and Provocations: ; 9.. Art Cinema as Institution : ; Screen, 221 (1981), 11-40 ;
; 10.. Masculinity as Spectacle: Reflections on Men and Mainstream Cinema : Screen,
24.6 (1983), 2-17 ; ; 11.. Melo Talk: On the Meaning and Use of the Term `Melodrama'
in the American Trade Press : The Velvet Light Trap, 32 (1993), 66-89 ; ; 12.. Hollywood
Blockbusters: Historical Dimensions : Movie Blockbusters, ed. by Julian Stringer (London:
Routledge, 2003), pp. 47-60 -- ; Section D.. Film Analysis: ; 13.. Issues of Difference:
Alien and Blade Runner : Fantasy and the Cinema, ed. by James Donald (London: British
Film Institute, 1989), pp. 213-23 ; ; 14.. Narration, Point of View and Patterns in
the Soundtrack of Letter from an Unknown Woman : Style and Meaning: Essays in the
Detailed Analysis of Film, ed. by John Gibbs and Douglas Pye (Manchester: Manchester
University Press, 2005), pp. 99-107 ; ; 15.. Gestures, Movements and Actions in Rio
Bravo : Howard Hawks: New Perspectives, ed. by Ian Brookes (London: Palgrave/British
Film Institute, 2016), pp. 110-21 ; ; 16.. The Art of the Palpable: Composition and
Staging in the Widescreen Films of Anthony Mann : Widescreen Worldwide, ed. by John
Bel ton, Sheldon Hall and Stephen Neale (New Barnet: John Libbey, 2010), pp. 91-106
; ; 17.. T Can't Tell Anymore Whether You're Lying': Double Indemnity, Human Desire
and the Narratology of Femmes Fatales : The Femme Fatale: Images, Histories, Contexts,
ed. by Helen Hanson and Catherine O'Rawe (Basingstoke: Palgrave Macmillan, 2010),
pp. 187-98.
