Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : sans médiation
Titre(s) : Our selves [Texte imprimé] : photographs by women artists from Helen Kornblum / Roxana Marcoci [editor, organizer]
Publication : New York : The Museum of Modern Art, 2022
Description matérielle : 152 pages : illustrations (some color), portraits ; 28 cm
Note(s) : Bibliogr. p. 136-145. Index. - Publ. à l'occasion de l'exposition "Our Selves: Photographs by Women Artists from
Helen Kornblum," présentée au Museum of Modern Art, New York, 16 avril-2 Octobre 2022.
- Contient des travaux de : Lola Álvarez Bravo, Gertrud Arndt, Uta Barth, Jessie
Tarbox Beals, Ruth Bernhard, Ilse Bing, Margaret Bourke-White, Esther Bubley, Claude
Cahun, Sophie Calle, Nancy Ford Cones, Marie Cosindas, Eileen Cowin, Imogen Cunningham,
Rineke Dijkstra, Nell Dorr, Jeanne Dunning, Barbara Ess, Flor Garduño, Laura Gilpin,
Sandra Haber, Florence Henri, Candida Höfer, Kati Horna, Graciela Iturbide, Lotte
Jacobi, Bertha Evelyn Jaques, Frances Benjamin Johnston, Consuelo Kanaga, Gertrude
Käsebier, Silvia Kolbowski, Germaine Krull, Justine Kurland, Dorothea Lange, Alma
Lavenson, Louise Lawler, Sharon Lockhart, Dora Maar, Mary Ellen Mark, Margrethe Mather,
Susan Meiselas, Ana Mendieta, Tina Modotti, Tracey Moffatt, Lucia Moholy, Inge Morath,
Barbara Morgan, Nelly, Anne Noggle, Barbara Norfleet, Sonya Noskowiak, Lorie Novak,
Catherine Opie, Ruth Orkin, Tatiana Parcero, Marta María Pérez Bravo Barbara Probst,
Josephine Pryde, Jane Reece, Ursula Johanna Richter, ringl + pit, Cara Romero, Amanda
Ross-Ho, Alison Rossiter, Meridel Rubenstein, Charlotte Rudolph, Laurie Simmons, Lorna
Simpson, Clara E. Sipprell, Rosemarie Trockel, Hulleah J. Tsinhnahjinnie, Margaret
Watkins, Carrie Mae Weems, Marion Post Wolcott, Mariana Yampolsky, Yva.
"Our Selves" affirms the creative and political agency of women artists. A critical
essay by curator Roxana Marcoci reconsiders the art-historical canon through works
by Claude Cahun, Tina Modotti, Carrie Mae Weems, Catherine Opie, and Hulleah J. Tsinhnahjinnie,
among others. Twelve focused essays by emerging scholars explore themes such as identity
and gender, the relationship between educational systems and power, and the ways in
which women artists have reframed our received ideas about womanhood. This catalog
features more than 100 color and black-and-white plates. As twenty-first century society
continues to aspire to expanded equity and diversity, "Our Selves" offers perspectives
on the contributions of women, previously too often relegated to the margins of our
cultural imagination ; "How have women artists used photography as a progressive medium?
As a tool of resistance? As a way of unsettling conventions? 'Our selves' spans more
than one hundred years of photography, from a turn-of-the-century photograph of racially
segregated education in the United States, by Frances Benjamin Johnston, to a contemporary
portrait celebrating Indigenous art forms, by the Chemehuevi artist Cara Romero. By
looking at the intersections of photography with feminism, civil rights, Indigenous
sovereignty, and queer liberation, 'Our selves' contributes vital insights into figures
too often excluded from our current cultural narratives."--Back cover
Autre(s) auteur(s) : Marcoci, Roxana. Éditeur scientifique
Autre(s) titre(s) conventionnel(s) : [Exposition. New York, Museum of Modern Art. 2022]
Sujet(s) : Kornblum, Helen (19..-....)
Femmes photographes
Indice(s) Dewey :
779.24 (23e éd.) = Photographies - Recueils ou collections - Thème des femmes
Identifiants, prix et caractéristiques : ISBN 9781633451339. - ISBN 163345133X (rel.)
Identifiant de la notice : ark:/12148/cb47030972d
Notice n° :
FRBNF47030972
(notice reprise d'un réservoir extérieur)
Table des matières : (From table of contents) ; Foreword / / Glenn D. Lowry ; ; With heartfelt appreciation
/ / Helen Kornblum ; ; A few words for two friends / / Kathy Halbreich ; ; What
is a feminist picture? / / Roxana Marcoci ; ; (Plates / / Dana Ostrander, Caitlin
Ryan, Phil Taylor). ; Youth and pedagogy / / DO ; ; From mask to metonym / / PT
; ; Movement in picture form / / CR ; ; Visual ecologies / / CR ; ; Mannequins and
mirrors / / PT ; ; The social archive / / CR ; ; Documentary portraits / / DO ;
; Indigeneity and colonial encounters / / DO ; ; Performance as ethnography / / CR
; ; Positioning identity / / DO ; ; Threshold perceptions / / PT ; ; Narrative and
its limits / / PT.
