Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : électronique
Auteur(s) : Ament, Vanessa Theme (1955-....)
Titre(s) : Divergent tracks [Texte électronique] : how three film communities revolutionized digital film sound / Vanessa Theme Ament
Publication : New York [New-York] : Bloomsbury Academic, copyright 2021
Description matérielle : 1 ressource dématérialisée (xiv, 162 pages) : ill. en coul.
Note(s) : Includes bibliographical references and index
"By examining three case studies of award-winning soundtracks from cult films-Barton
Fink (1991), Bram Stoker's Dracula (1992), and The English Patient (1996)-it becomes
clear that major American film communities, when confronted with the initial technological
changes of the 1990s, experienced similar challenges with the inelegant transition
from analogue to digital. However, their cultural and structural labor differences
governed different results. Vanessa Ament, author of The Foley Grail (2009), rather
than defining the 1990s as an era of technological determinism-a superficial reading-it
is best understood as one in which sound professionals became more viable as artists,
collaborated in sound design authorship, and influenced this digital transition to
better accommodate their needs and desires in their work"
La pagination de l'édition imprimée correspondante est de 176 p.
Sujet(s) : Cinéma -- Son -- 1990-2020
Cinéma -- Effets sonores -- 1990-2020
Son -- Enregistrement et reproduction -- 1990-2020
Indice(s) Dewey :
791.430 24 (23e éd.) = Cinéma - Effets spéciaux
Identifiants, prix et caractéristiques : ISBN 9781501359194. - ISBN 1501359193. - ISBN 9781501359200. - ISBN 1501359207. -
ISBN 1501359215. - ISBN 9781501359217. - ISBN 9781501359224 (erroné). - ISBN 9781501378539
(erroné)
Identifiant de la notice : ark:/12148/cb468447410
Notice n° :
FRBNF46844741
(notice reprise d'un réservoir extérieur)
Table des matières : Introduction: sound design as creative and cultural artifact ; Geographical cultures
and technological tendencies ; "Viscous was the word of the day": the interiority
of Barton Fink ; "How would you like to work on a monster movie?": the expressionism
of Bram Stoker's Dracula ; "The sound of the desert is a tape hiss": "a study in
contrasts" in The English patient ; Conclusion: reassessing sound design as a collective
endeavor ; Appendix A: Workflow diagram for Barton Fink ; Appendix B: Workflow diagram
for Bram Stoker's Dracula ; Appendix C: Workflow diagram for The English patient
; Appendix D: Sound department credits.
