Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation
Auteur(s) : Tremlett, Sarah
Titre(s) : The poetics of poetry film [Texte imprimé] : film poetry, videopoetry, lyric voice, reflection / Sarah Tremlett, with over 40 contributors
Publication : Bristol : Intellect Ltd, 2021
Description matérielle : 1 vol. (XXVI-385 p.) : ill. en coul. ; 25 cm
Note(s) : Includes bibliographical references (p. 329-370) and index
The first book of its kind, it classifies the different types of poetry film, shedding
light on the fast-growing genre and citing works from poetry filmmakers worldwide.
A ground-breaking industry bible for anyone interested in poetry, digital media, filmmaking,
art and creative writing as well as poetry filmmakers
Sujet(s) : Cinéma et littérature
Poétique -- Au cinéma
Poésie expérimentale
Films expérimentaux
Indice(s) Dewey :
791.436 57 (23e éd.) = Cinéma - Thèmes artistiques et littéraires
Identifiants, prix et caractéristiques : ISBN 1789382696. - ISBN 9781789382693. - ISBN 9781789382709. - ISBN 178938270X. -
ISBN 9781789382686 (pbk.)
Identifiant de la notice : ark:/12148/cb468204006
Notice n° :
FRBNF46820400
(notice reprise d'un réservoir extérieur)
Table des matières : Front Cover ; Half Title ; Frontier spices ; Copyright information ; Dedication
; Epigraph ; Table of contents ; Illustrations ; Foreword ; Preface ; Introduction:
Poetry, Song, Philosophy ; The Combined Lyric Aesthetic ; Illuminated Verse ; The
Figurative Visual Poem ; Philosophy through Poetry: China and the Lyric Aesthetic
in Poetry and Painting ; Part One Form and Structure ; Terminology across Time
; Poetry Films, Film Poems and Video Poems / Videopoems ; Pioneer Works ; Cinematic
Poems ; Vita Futurista ; Film Poems ; Cinépoème ; Poetry Film
England and the Documentary with Spoken Verse ; The Video Poem and Videopoem ;
The First Poetry Film Festival ; Festival Time ; Similar Genres ; The Music Video
; The Short Film ; Separatist Classifications ; A Coda to Terminology ; Notes
; Realization and Structure ; Maker Topology ; Auteur ; Tom Konyves: Notes from
his Videopoetry Manifesto ; Collaborative ; Poet and Film-Maker ; Poet Interpreting
Film-Maker ; More than One Poet (Beyond the Workshop) ; Film-Maker, Composer and
Poet ; Editors ; Group Work ; Workshops ; More than One Film-Maker ; Production
Teams
Adaptation and Translation ; What Is Poetry Film ; What Is Poetry? ; Visual and
Concrete Poetry ; Types of Visual Metaphor in Film ; Renouncing Metaphor ; Let's
Take Another Look ; Exposed Thought Processes ; Constructional Components within
the Three Elements ; Naturalizing Construct: Eight Proposed Areas ; Reflexive Form
and Content ; Examples of Handmade Techniques for Creating Images ; Pen, Crayon
and Ink ; Cut-Out ; Notes ; Voice and Narrative ; Locating Voice ; Locating the
Narrative Positionality of Voice in Poetry Films ; Register ; Voice as Speech Act
Types of Voice: Inner (Intensional), Observational (Extensional) and Direct Address
; Voice Breaking Up ; The Protagonist: Pasolini and Free Indirect Discourse ; Sending
a Message/Direct Address/Bearing Witness ; Voice and Place ; Dear Alison ; A Climbing
Film-Poem ; Vatic Voice ; Multiple Voices ; Dual Voices/The Message/The Radio,
Tannoy/The Witness ; Dual Voices/Bilingual and Multilingual ; Translation to English:
The Problems of Subtitling ; Translation and the Hard of Hearing ; A Child's Voice
; Voice and Text/Image as One ; Absent Voice ; Note ; Time and Mind
Projected Author Time and Structural Tripartite Time ; A Binding of Poetic (Linguistic)
and Filmic Accumulative Time ; Narrated Time: Poetry and Film ; Time on the Page
; A Scale for Projected Narrative Time in Poetry Films ; The Dramatic Poetry Film
; The Uncontrollable Present ; The Controlled Present ; The Past Alone ; Past Alongside
Present ; The Pervious Poetry Film ; At and through, Pervious Time ; Pervious Subjective
and Objective Time ; Non-Temporal Pervious Time and Reverie ; Time(s) and Geopoetics
; Time and Place ; Constructing Dynamic Spatio-Temporality
