Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation
Auteur(s) : Turner, Richard Brent (1951-....)
Titre(s) : Soundtrack to a movement [Texte imprimé] : African American Islam, jazz, and Black internationalism / Richard Brent Turner
Publication : New York : New York University Press, copyright 2021
Description matérielle : 247 pages ; 23 cm
Note(s) : Includes bibliographical references and index
"This book explores the historical connections among jazz, African American Islam,
and black internationalism from the 1940s to the 1970s. It shows that in the post-World
War II era through the 1970s, the social justice values that Islam and jazz shared
were key to the growth of African American Islamic communities in Boston, New York,
and Philadelphia. This book argues that it was jazz musicians who led the way in shaping
encounters with Islam as they developed a black-Atlantic cool that shaped both black
religion, jazz styles, and black masculinity and femininity during the Cold War and
continuing up to the Civil Rights and Black Power Movements in the 1960s"
Sujet(s) : Jazz -- Religion -- États-Unis -- 20e siècle
Jazz -- Société -- États-Unis -- 20e siècle
Musulmans noirs -- États-Unis
Noirs américains -- Religion
Internationalisme -- États-Unis -- 20e siècle
Identifiants, prix et caractéristiques : ISBN 9781479871032. - ISBN 1479871036. - ISBN 9781479806768. - ISBN 1479806765. -
ISBN 9781479849697 (erroné). - ISBN 9781479800360 (erroné)
Identifiant de la notice : ark:/12148/cb46773757k
Notice n° :
FRBNF46773757
(notice reprise d'un réservoir extérieur)
Table des matières : Introduction. Jazz Brothers in Rhythm and Spirit -- ; Islamic and Christian influences
in jazz : Boston and New York during World War II -- ; "Turn to Allah, pray to the
East" : Bebop and the Nation of Islam's mission to Blacks in prison -- ; The faith
of Universal Brotherhood : The Ahmadiyya Muslim community's popularity among Bebop
musicians -- ; Hard bop, free jazz, and Islam : Black liberation and global religious
and musical consciousness in the late 1950s and 1960s -- ; Conclusion. Last days and
times : Islam and Jazz in the Post-Coltrane Era.
