• Notice

Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : sans médiation

Auteur(s) : Paik, Nam-June (1932-2006)  Voir les notices liées en tant qu'auteur

Titre(s) : We are in open circuits [Texte imprimé] : writings by Nam June Paik / Nam June Paik ; edited by John G. Hanhardt, Gregory Zinman, and Edith Decker-Phillips

Publication : Cambridge, [Massachusetts] : The MIT Press, copyright 2019

Description matérielle : xv, 445 pages : illustrations (some color) ; 29 cm

Collection : Writing art series

Lien à la collection : The MIT press writing art series 


Note(s) : Includes bibliographical references and index
"Nam June Paik (1932-2006) is a pivotal figure in the history of modern art. Arguably the most important video artist of all time, and certainly among the most influential and prolific, Paik was a legendary innovator who transformed the electronic moving image into an artist's medium. He wrote incessantly--corresponding with friends, composing performance scores, making production notes for television projects, drafting plans for video installations, writing essays and articles. Celebrated for his visionary development of new artistic tools and for his pioneering work in video and television, Paik often wrote to sharpen his thinking and hone his ideas. He used the typewriter to fashion sentences that broke apart and reassembled themselves as he wrote, producing both poetic texts and aesthetic objects on the page. This first extensive collection of Paik's writings includes many previously unpublished and out-of-print texts. Drawing on materials from the Smithsonian American Art Museum's Nam June Paik Archive and from a range of international publications, We Are in Open Circuits offers important but long-unavailable essays, including "Global Groove and Video Common Market"; unpublished writings on such topics as his creative partnership with the cellist Charlotte Moorman and the role of public television; a substantial part of his compilation "Scrutable Chinese"; and detailed plans for some of his groundbreaking broadcast works, including the trio Good Morning, Mr. Orwell (1984), Bye Bye Kipling (1986), and Wrap Around the World (1988). It also includes nearly 150 pages that reproduce Paik's original typed and handwritten pages, letting readers see his writing in various stages of inspiration and execution."--Publisher's description


Autre(s) auteur(s) : Hanhardt, John G. (1945-....). Éditeur scientifique  Voir les notices liées en tant qu'auteur
Zinman, Gregory. Éditeur scientifique  Voir les notices liées en tant qu'auteur
Decker-Philipps, Edith (1953-....). Éditeur scientifique  Voir les notices liées en tant qu'auteur


Sujet(s) : Paik, Nam-June (1932-2006) -- Oeuvres -- Écrits  Voir les notices liées en tant que sujet
Art vidéo  Voir les notices liées en tant que sujet

Indice(s) Dewey :  777.092 (23e éd.) = Cinématographie et vidéographie - Biographie  Voir les notices liées en tant que sujet


Identifiants, prix et caractéristiques : ISBN 9780262039802. - ISBN 026203980X

Identifiant de la notice  : ark:/12148/cb46559637c

Notice n° :  FRBNF46559637 (notice reprise d'un réservoir extérieur)



Table des matières : The textual worlds of Nam June Paik : the time of writing and reading / by John G. Hanhardt ; Music and the avant-garde : performing Fluxus ; 'This script is not final, and is subject to changes' : Nam June Paik between page and screen / by Gregory Zinman ; Transforming video and television : media art practices ; Culture and politics : local and global ; Annotations to a life : commentaries and letters ; Nam June Paik's Chinese memories / by Edith Decker-Phillips ; China texts : "scrutable Chinese."

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