Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation
Auteur(s) : Lütteken, Laurenz (1964-....)
Titre(s) : Strauss [Texte imprimé] / Laurenz Lütteken ; translated by Erik Butler
Traduction de : Richard Strauss
Publication : New York, NY : Oxford University Press, [2019]
Description matérielle : xiv, 283 pages : illustrations ; 25 cm
Collection : Master musicians
Lien à la collection : The Master musicians
Note(s) : Translated from the German. - Includes bibliographical references and index
Richard Strauss is an outlier in the context of twentieth century music. Some consider
him a composer of the late romantic period, while others declare him a traitor of
modernity for his role in National Socialism. Despite the controversy surrounding
him, Strauss's works-even beyond his most well-known operas Elektra and Rosenkavalier-are
present in the repertories of concert halls worldwide and continue to enjoy large
audiences. The details of the composer's life, however, remain shrouded in mystery
and gossip. Laurenz Lutteken's Strauss presents a fresh approach to understanding
this elusive composer's life and works. Dispensing with stereotypes and sensationalism,
it reveals Strauss to be a sensitive intellectual and representative of modernity,
with all light and shade of the turn of the twentieth century
Sujet(s) : Strauss, Richard (1864-1949) -- Critique et interprétation
Identifiants, prix et caractéristiques : ISBN 9780190605698. - ISBN 0190605693. - ISBN 9780190605711 (erroné)
Identifiant de la notice : ark:/12148/cb45757670x
Notice n° :
FRBNF45757670
(notice reprise d'un réservoir extérieur)
Table des matières : Preface ; Postscript to the English translation ; Introduction: Problems ; 1. Between patriciate and aristocracy ; 2. The end of the nineteenth century : leaving traditional genres behind ; 3. The poetry of imagination : Lieder ; 4. Music and life : the Kapellmeister and his duties ; 5. Poetry of the real : the tone poems ; 6. Music without metaphysics : the path to opera ; 7. "The social achieved" : Strauss und Hofmannsthal ; 8. New mythology and the plasticity of music ; 9. Music and reality ; 10. After Hofmannsthal's death ; 11. Metamorphosen and the end of history ; Appendix A: Biographical timeline ; Appendix B: Catalog of works ; Appendix C: Personalia.