Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation
Auteur(s) : Weber, Loïs (1881-1939). Éditeur scientifique
Titre(s) : Lois Weber [Texte imprimé] : interviews / edited by Martin F. Norden
Publication : Jackson, [Mississippi] : University press of Mississippi, copyright 2019
Description matérielle : lxxv, 219 pages ; 23 cm
Collection : Conversations with filmmakers series
Lien à la collection : Conversations with filmmakers series
Note(s) : Includes bibliographical references and index
Autre(s) auteur(s) : Norden, Martin F. (1951-....). Éditeur scientifique
Sujet(s) : Weber, Loïs (1881-1939)
Genre ou forme : Entretiens
Indice(s) Dewey :
791.430 233092 (23e éd.) = Cinéma - Réalisation - Biographie
Identifiants, prix et caractéristiques : ISBN 9781496820808. - ISBN 1496820800. - ISBN 9781628464740. - ISBN 1628464747. -
ISBN 9781496820815 (erroné). - ISBN 9781496820822 (erroné). - ISBN 9781496820839 (erroné).
- ISBN 9781496820846 (erroné)
Identifiant de la notice : ark:/12148/cb45744749f
Notice n° :
FRBNF45744749
(notice reprise d'un réservoir extérieur)
Table des matières : An interesting interview with Rex Stars / Moving Picture News (1912) ; Views of
The Reviewer / The Reviewer (1912) ; Lois Weber on Scripts / Epes Winthrop Sargent
(1912) ; Salvation Singer Now Directs Film Actors / Los Angeles Herald (1913) ;
The Making of Picture Plays that will Have an Influence for Good on the Public Mind
/ Lois Weber (1913) ; A Perpetual Leading Lady / Bertha H. Smith (1914) ; A Versatile
Couple / Minerva Martin (1914) ; Under Lois Weber's Wing at Bosworth / Frances Marion
(1914) ; Hypocrites / Lois Weber (1915) ; The Smalleys Have a Message to the World
/ Universal Weekly (1915) ; How I Became a Motion Picture Director / Lois Weber (1915)
; Lois Weber and Phillips Smalley: a Practical and Gifted Pair with High Ideals /
Richard Willis (1915) ; A Lady General of the Picture Army / Lillian Hartman Johnson
(1915) ; No Sinecure, this Film of Pavlowa's / Kitty Kelly (1915) ; Behind the Scenes
with Lois Weber / Hugh C. Weir (1915) ; The New Animated Subtitle / Motography (1915)
; Sacrifice Price of Success in Photoplay Art / Mark C. Larkin (1915) ; Girls of
the Silent Drama Denounce Accuser / Photoplayers Weekly (1916) ; Author! Author!
/ John H. Blackwood (1916) ; The Greatest Woman Director in the World / Mlle. Chic
(1916) ; Room for Long and Short Pictures-Lois Weber / Motion Picture News (1916)
; Lois Weber Talks Shop / Moving Picture World (1916) ; Lois the Wizard / Herbert
Hartwell Van Loan (1916) ; Personalities I Have Met: Dustin Farnum, Mary Pickford
(1916) ; Personalities I Have Met :Lois Weber, Mary Pickford (1916) ; Lois Weber
Smalley / Ernestine Black (1916) ; A Dream in Realization / Arthur C. Denison (1917)
; Lois Weber, Film Genius, Has Spectacular Rise to Fame / Los Angeles Examiner (1917)
; On the Lot with Lois Weber / Elizabeth Peltret (1917) ; The Lady Behind the Lens
/ Fritzi Remont (1918) ; Through with Sermons / Ogden Lawrence (1918) ; Roast Beef
Well Done / Grace Kingsley (1919) ; Lois Weber does Everything from Writing Scenario
to Labeling Finished Film / New York Call (1919) ; Lois Weber's Plans: Noted Director
Says She Won't Direct Star / Grace Kingsley (1919) ; Always Thought Behind Work of
Woman Director / Mary Burke (1920) ; Chronicle: Screen Contest Nearing Close / San
Francisco Chronicle (1921) ; The Muse of the Reel / Aline Carter (1921) ; L.A. Producer
Attacks Hamon Plan / Lois Weber (1921) ; Lois Weber and Husband Both Producing /
Oakland Tribune (1921) ; Let the Church Help Make Pictures Better / Lois Weber (1921)
; What's the Matter with Marriage? / Frankie Lynne (1921) ; What do Men Need? / Emma-Lindsay
Squier (1921) ; Remember Telescopic Pictures Out at Grandma's House / Lois Weber
(1921) ; American Films First: Prominent Picture Producer Would Bar the Foreign Product
/ Philadelphia Inquirer (1921) ; Ladies' Day / Celia Brynn (1921) ; What's Wrong
in Pictureland? Asks Woman Film Producer / Lois Weber (1921) ; Want to Write Movies?
Here's a Lesson by One Who Knows the Game / Lois Weber (1921) ; Hollywood Folks Resent
Reports of Wild Bohemianism / Philadelphia Evening Public Ledger (1921) ; Church
Worker Is Producer of Plays / Frances L. Garside (1922) ; Exit Flapper; Enter Woman
/ William Foster Elliot (1922) ; Romance Plus Common Sense / Pearl Malverne (1923)
; Only Woman Movie Director Owes Her Career to a Broken Piano Key / Mayme Ober Peak
(1926) ; Lois Weber Understands Girls / Josephine MacDowell (1927) ; The Gate Women
Don't Crash / Charles S. Dunning (1927) ; Many Women Well Fitted by Film Training
to Direct Movies, Lois Weber Claims / Lois Weber (1928) ; Hostility of Men Drawback
to Women Making Success in Picture Directing / Lois Weber (1928) ; Women Who've Won:
Lois Weber / Lillian G. Genn (1928) ; The Best Actor in the Whole Picture / Peter
Hyun (1933) ; Voice Culture Big Thing Now / Mollie Merrick (1933) ; The Little Red
Schoolhouse Becomes a Theatre / Winifred Aydelotte (1934) ; Appendix / Short Takes,
1912-1933.
