Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation
Auteur(s) : Brown, Lee B. (1932-2014)
Goldblatt, David (1941-....)
Gracyk, Theodore (1958-....)
Titre(s) : Jazz and the philosophy of art [Texte imprimé] / Lee B. Brown, David Goldblatt and Theodore Gracyk
Publication : New York, [New York] ; Abingdon : Routledge, Taylor & Francis group, 2018
Description matérielle : xiii, 302 pages ; 23 cm
Note(s) : Includes bibliographical references and index
"Co-authored by three prominent philosophers of art, Jazz and the Philosophy of Art
is the first book in English to be exclusively devoted to philosophical issues in
jazz. It covers such diverse topics as minstrelsy, bebop, Voodoo, social and tap dancing,
parades, phonography, musical forgeries, and jazz singing, as well as Goodman's allographic/autographic
distinction, Adorno's critique of popular music, and what improvisation is and is
not. The book is organized into three parts. Drawing on innovative strategies adopted
to address challenges that arise for the project of defining art, Part I shows how
historical definitions of art provide a blueprint for a historical definition of jazz.
Part II extends the book's commitment to social-historical contexualism by exploring
distinctive ways that jazz has shaped, and been shaped by, American culture. It uses
the lens of jazz vocals to provide perspective on racial issues previously unaddressed
in the work. It then examines the broader premise that jazz was a socially progressive
force in American popular culture. Part III concentrates on a topic that has entered
into the arguments of each of the previous chapters: what is jazz improvisation? It
outlines a pluralistic framework in which distinctive performance intentions distinguish
distinctive kinds of jazz improvisation. This book is a pcomprehensive and valuable
resource for any reader interested in the intersections between jazz and philosophy"--Front
matter
Sujet(s) : Jazz -- Esthétique
Jazz
Indice(s) Dewey :
781.651 17 (23e éd.) = Jazz - Principes artistiques
Identifiants, prix et caractéristiques : ISBN 9781138241367. - ISBN 1138241369. - ISBN 9781138241350. - ISBN 1138241350. -
ISBN 9781315280592 (erroné) (ePub ebook). - ISBN 9781315280608 (erroné) (PDF ebook).
- ISBN 9781315280585 (erroné) (Mobipocket ebook). - ISBN 9781315280615 (erroné) (ebook)
Identifiant de la notice : ark:/12148/cb45522888c
Notice n° :
FRBNF45522888
(notice reprise d'un réservoir extérieur)
Table des matières : How is jazz distinctive? Essence and definition ; Dancing, dwelling, and rhythmic
swing ; A theory of jazz music: "it don't mean a thing ..." ; Defining jazz historically
; Jazz and American culture ; Jazz singing and taking wing ; Race, jazz, and popular
music: the legacy of blackface minstrelsy ; Jazz and the culture industry ; Music
ontology ; Improvisations and spontaneity ; Musical forgeries, improvisation, and
the principle of continuity ; Phonography, repetition, and spontaneity ; Jazz improvisation
and its vicissitudes: a plea for imperfection.