Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation
Titre(s) : The documentary film reader [Texte imprimé] : history, theory, criticism / edited by Jonathan Kahana
Publication : Oxford ; New York : Oxford university press, ©2016
Description matérielle : xviii, 1024 pages : illustrations ; 26 cm
Comprend : I. Early documentary: from the illustrated lecture to the factual film : From lecturer's
prop to industrial product: the early history of travel films (2006) / Rick Altman
; Burton Holmes pleases a large audience at the Columbia (1905) / Anonymous ; Placing
the spectator on the scene of history: modern warfare and the battle reenactment at
the turn of the century (2008) / Kristen Whissel ; Let there be Lumière (1999) /
Dai Vaughan ; A new source of history (1898) / Boleslas Matuszewski ; Before documentary
: early nonfiction films and the 'view' aesthetic (1997) / Tom Gunning ; The Continental
Film Company (1912) / Edward S. Curtis et al. ; Review of In the land of the head
hunters (1914) / W. Stephen Bush ; Playing primitive (1999) / Catherine Russell
; Movies of Eskimo life win much appreciation (1915) ; Review of Nanook of the North
(1922) / Anonymous ; Flaherty's poetic Moana (1926) ; Flaherty (1931-32) / John Grierson
; Lured by the east : ethnographic and expedition films about nomadic tribes; The
case of Grass (2006) / Hamid Naficy ; Compulsive cameramen (1925) / Béla Balázs
; New films make war seem more personal (1916) / Anonymous ; Cinema, spectatorship,
and propaganda: Battle of the Somme (1916) and its contemporary audience (1997) /
Nicholas Reeves ; II. Modernisms: state, left, and avant-garde documentary between
the wars : The art of the camera : an experimental 'movie' (1921) / Robert Allerton
Parker ; Montage (1947) / Siegfried Kracauer ; The man with the movie camera: from
magician to epistemologist (1972) / Annette Michelson ; Cinema weekly and Cinema
truth: Dziga Vertov and the Leninist proportion (1973) / Seth Feldman ; WE: variant
of a manifesto (1922) / Dziga Vertov ; Bridge (1964) / Jay Leyda ; Reality at second
hand (1991) / Mikhail Iampolsky ; The making of Rain (1969) ; Reflections on the
avant-garde documentary (1931) / Joris Ivens ; Documentary surrealism : on Land without
bread (1986) / Tom Conley ; The documentary producer (1933) ; First principles of
documentary (1932-34) / John Grierson ; Home truths from abroad (1937) / Otis Ferguson
; Straight shots and crooked plots: social documentary and the avant-garde in the
1930s (1995) / Charles Wolfe ; The revolutionary film : problem of form (1934) /
Samuel Brody ; The revolutionary film : next step (1934) / Leo T. Hurwitz ; A new
approach to film making (1935) / Ralph Steiner and Leo T. Hurwitz ; Letter from Knoxville
(1936) / Willard Van Dyke ; Letter to Jay Leyda (1935) / Ralph Steiner ; Down to
earth in Spain (1937) / John T. McManus ; Historicizing the 'voice of God': the place
of voice-over commentary in classical documentary (1997) / Charles Wolfe ; Triumph
of the will: notes on documentary, and spectacle (1979) / Steve Neale ; Films at
the Fair (1939) / Richard Griffith ; III. Documentary propaganda : World War II and
the post-war citizen : Review of Iwo Jima newsreels (1945) ; Review of San Pietro
(1945) / James Agee ; The Negro soldier (1944): film propaganda in black and white
(1979) / Thomas Cripps and David Culbert ; On Why we fight: history, documentation,
and the newsreel (1946) / André Bazin ; The poetics of propaganda: Humphrey Jennings
and Listen to Britain (1998) / Jim Leach ; Documentary in the United States in the
immediate post-World War II years (1989) / George C. Stoney ; Documenting citizenship
: reexamining the 1950s National Film Board films about citizenship (2000) / Zoë
Druick ; Moving pictures: the films division of India and the visual practices of
the nation-state (2007) / Srirupa Roy ; Experiments in propaganda: reintroducing
James Blue's Colombian trilogy (2009) / Jennifer Horne ; Peter Watkins discusses
his suppressed nuclear film The war game (1965) / Peter Watkins with James Blue and
Michael Gill ; IV. Aesthetics of liberation: free, direct, and vérité cinemas : The
castration of documentary (1953) / Jean Painlevé ; On Blood of the beasts (1963)
/ Jean Cocteau ; Free cinema (1957) / Lindsay Anderson ; The one-ton pencil (1962)
/ Tom Whiteside ; Chronicle of a film (1962) / Edgar Morin ; Radical humanism and
the coexistence of film and poetry in The house is black (2003) / Jonathan Rosenbaum
; The politics of visual anthropology (1977) / Jean Rouch with Dan Georgakas, Udayan
Gupta, and Judy Janda ; For an uncontrolled cinema (1961) / Ricky Leacock ; On the
candid-eye movement (1977) / Bruce Elder ; To Mayor Lindsay: on film journalism and
newsreels (1966) / Jonas Mekas ; Realism as a style in Cinema verite: a critical
analysis of Primary (1991) / Jeanne Hall ; As significant as the invention of drama
or the novel (1973) / Margaret Mead ; —^ŠxŠÉ™
Note(s) : Includes bibliographical references and index
Autre(s) auteur(s) : Kahana, Jonathan (1966-....). Éditeur scientifique
Sujet(s) : Films documentaires
Théorie du cinéma
Indice(s) Dewey :
070.180 9 (23e éd.) = Cinéma (journalisme) - Histoire
Identifiants, prix et caractéristiques : ISBN 9780199739646 (cloth). - ISBN 0199739641 (cloth). - ISBN 9780199739653 (pbk.).
- ISBN 019973965X (pbk.). - ISBN 9780190226541 (erroné) (ebook)
Identifiant de la notice : ark:/12148/cb45093264j
Notice n° :
FRBNF45093264
(notice reprise d'un réservoir extérieur)
