Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : électronique
Auteur(s) : CMMR Symposium (9 ; 2012 ; London, England)
Titre(s) : From sounds to music and emotions [Texte électronique] : 9th International Symposium, CMMR 2012, London, UK, June 19-22, 2012, Revised selected papers / Mitsuko Aramaki, Mathieu Barthet, Richard Kronland-Martinet, Sølvi Ystad (eds.)
Publication : Heidelberg : Springer, 2013
Description matérielle : 1 online resource (xiv, 502 pages)
Collection : Lecture Notes in Computer Science ; 7900
LNCS sublibrary. SL 3, Information systems and application, incl. Internet/Web and
HCI
Note(s) : Includes author index. - Online resource; title from PDF title page (SpringerLink, viewed September 16,
2013).
This book constitutes the thoroughly refereed post-conference proceedings of the 9th
International Symposium on Computer Music Modeling and Retrieval, CMMR 2012, held
in London, UK, in June 2012. The 28 revised full papers presented were carefully reviewed
and selected for inclusion in this volume. The papers have been organized in the following
topical sections: music emotion analysis; 3D audio and sound synthesis; computer models
of music perception and cognition; music emotion recognition; music information retrieval;
film soundtrack and music recommendation; and computational musicology and music education.
The volume also includes selected papers from the Cross-Disciplinary Perspectives
on Expressive Performance Workshop held within the framework of CMMR 2012
Autre(s) auteur(s) : Aramaki, Mitsuko. Fonction indéterminée
Autre(s) forme(s) du titre :
- Autre forme du titre : CMMR 2012
Sujet(s) : Informatique
Traitement automatique de la parole
Indice(s) Dewey :
025.04 (23e éd.) = Systèmes de stockage et de recherche de l'information
Identifiants, prix et caractéristiques : ISBN 9783642412486
Identifiant de la notice : ark:/12148/cb44708025h
Notice n° :
FRBNF44708025
(notice reprise d'un réservoir extérieur)
Table des matières : I ; Music Emotion Analysis. ; The Six Emotion-Face Clock as a Tool for Continuously
Rating Discrete Emotional Responses to Music /Emery Schubert [and others] ; Emotion
in Motion: A Study of Music and Affective Response /Javier Jaimovich, Niall Coghlan
and R. Benjamin Knapp ; Psychophysiological Measures of Emotional Response to Romantic
Orchestral Music and Their Musical and Acoustic Correlates /Konstantinos Trochidis
[and others]
II ; 3D Audio and Sound Synthesis. ; Two-Dimensional Hybrid Spatial Audio Systems
with User Variable Controls of Sound Source Attributes /Martin J. Morrell and Joshua
D. Reiss ; Perceptual Characteristic and Compression Research in 3D Audio Technology
/Ruimin Hu [and others] ; Intuitive Control of Rolling Sound Synthesis /Simon Conan
[and others] ; EarGram: An Application for Interactive Exploration of Concatenative
Sound Synthesis in Pure Data /Gilberto Bernardes, Carlos Guedes and Bruce Pennycook
; Reenacting Sensorimotor Features of Drawing Movements from Friction Sounds /Etienne
Thoret [and others]
III ; Computer Models of Music Perception and Cognition -- ; Auditory Sketches: Sparse
Representations of Sounds Based on Perceptual Models /Clara Suied [and others] ; The
Role of Time in Music Emotion Recognition: Modeling Musical Emotions from Time-Varying
Music Features /Marcelo Caetano, Athanasios Mouchtaris and Frans Wiering ; The Intervalgram:
An Audio Feature for Large-Scale Cover-Song Recognition /Thomas C. Walters, David
A. Ross and Richard F. Lyon ; Perceptual Dimensions of Short Audio Clips and Corresponding
Timbre Features /Jason Jiří Musil, Budr Elnusairi and Daniel Müllensiefen
IV ; Music Emotion Recognition. ; Music Emotion Recognition: From Content- to Context-Based
Models /Mathieu Barthet, György Fazekas and Mark Sandler ; Predictive Modeling of
Expressed Emotions in Music Using Pairwise Comparisons /Jens Madsen, Bjørn Sand Jensen
and Jan Larsen ; Analyzing the Perceptual Salience of Audio Features for Musical Emotion
Recognition /Erik M. Schmidt [and others]
V ; Music Information Retrieval. ; Sample Identification in Hip Hop Music /Jan Van
Balen, Joan Serrà and Martín Haro ; Music Similarity Evaluation Using the Variogram
for MFCC Modelling /Lorenzo J. Tardón and Isabel Barbancho ; Automatic String Detection
for Bass Guitar and Electric Guitar /Jakob Abeßer ; Using Oracle Analysis for Decomposition-Based
Automatic Music Transcription /Ken O'Hanlon, Hidehisa Nagano and Mark D. Plumbley
VI ; Film Soundtrack and Music Recommendation. ; The Influence of Music on the Emotional
Interpretation of Visual Contexts /Fernando Bravo ; The Perception of Auditory-Visual
Looming in Film /Sonia Wilkie and Tony Stockman
VII ; Computational Musicology and Music Education. ; Maximum a Posteriori Estimation
of Piecewise Arcs in Tempo Time-Series /Dan Stowell and Elaine Chew ; Structural Similarity
Based on Time-Span Tree /Satoshi Tojo and Keiji Hirata ; Subject and Counter-Subject
Detection for Analysis of the Well-Tempered Clavier Fugues /Mathieu Giraud, Richard
Groult, Florence Levé ; Market-Based Control in Interactive Music Environments /Arjun
Chandra [and others]
VIII ; Cross-Disciplinary Perspectives on Expressive Performance Workshop. ; (Re)Shaping
Musical Gesture: Modelling Voice Balance and Overall Dynamics Contour /Regiane Yamaguchi
and Fernando Gualda ; Multimodal Analysis of Piano Performances Portraying Different
Emotions /Kristoffer Jensen and Søren R. Frimodt-Møller ; Focal Impulses and Expressive
Performance /John Paul Ito ; Learning to Make Feelings: Expressive Performance as
a Part of a Machine Learning Tool for Sound-Based Emotion Control /Alexis Kirke, Eduardo
R. Miranda and Slawomir J. Nasuto