Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation
Auteur(s) : Lemberger, Dorit (1965-....)
Titre(s) : A red rose in the dark [Texte imprimé] : self-constitution through the poetic language of Zelda, Amichai, Kosman, and Adaf / Dorit Lemberger ; translated by Edward Levin
Traduction de : Šwšanah ʾadwmah baḥwšek : kiynwn ʿaṣmiy bśapah pwʾeṭiyt bšiyreyhem šel Zeldah,
Yhwdah ʿAmiyḥay, ʾAdmiyʾel Qwsman wŠimʿwn ʾAdap
Publication : Boston (Mass.) ; Brighton (Mass.) : Academic studies press, 2016
Description matérielle : 1 vol. (XVIII-403 pages) ; 24 cm
Collection : Emunot : Jewish philosophy and Kabbalah
Lien à la collection : Emunot
Comprend : Preface ; Chapter One Poetic Grammar: Three Aspects of Aesthetic Judgment ; 1.
Examination and Judgment of Aesthetic Language: The Fundamental Tension ; 2. The
First Aspect: A Poetic Work as Driving Reflective Introspection ; 3. The Second Aspect:
Conscious Change as the Key to Aesthetic Judgment ; 4. The Third Aspect: Showing
What Cannot Be Said ; Summation ; Chapter Two Dialogical Grammar: Variations of
Dialogue in Wittgenstein's Methodology as Ways of Self-Constitution ; 1. "Family
Resemblance" between the Platonic Dialogue and Wittgenstein's Methodology ; 1.1.
Wittgenstein's Critique of Socrates ; 1.2. Similarities between Wittgensteinian and
Socratic Dialogue ; 1.3. Language as a Medium of Thought: Soliloquy as Ordinary Language
; 1.4. Reflective Dialogue: Dialogue between Sense-Perception and Image 2. Wittgensteinian
Dialogical Grammar in the Philosophical Investigations: Rhetorical, Conversational,
Reflective ; .
2.1. Dialogism in the Philosophical Investigations: "A Surveyable Representation"
2.2. Aspects of Dialogism ; 2.3. Dialogue as Technique ; 2.4. Conversational Dialogue
; 2.5. Reflective Dialogue Chapter Three Self-Constitution through Mystical Grammar:
The Urge and Its Expressions Three Channels of Mystical Grammar ; 1. Preliminary
Considerations: Theology as Grammar and the Metaphysical Subject 2. The Mystical-Religious
Channel: The Religious Aspect of Mystical Grammar ; 3. Who Is Experiencing? The Paradox
of the I and the "Solution" of the Mystic Subject ; 4. I as Object ; I as Subject:
From James to Wittgenstein ; 5. From Perfectionism to Confession: Work on Oneself
; Chapter Four Zelda: The Complex Self-Constitution of the Believer ; 1. Expression
and Conversion between Everyday and Poetic Grammar ; 2. Dialogic Grammar: Internal
and External Observations ; 3. Mystical Grammar: Perfectionism and Metaphysics as
Zelda's Varieties of Religious Experience ; .
Chapter Five Yehuda Amichai: Amen and Love -- 1. The Poetics of Change: The Grammaticalization
of Experience -- 2. Dialogic Grammar: The Importance of Otherness -- 3. Reconstruction
of the Subject: The Mystical Grammar of Open Closed Open -- 3.1. The Mechanism of
Change as the Key to Perfectionism 3.2. The Conception of an Individual God: God as
Change and as Interlocutor -- 3.3. The Encounter with Biblical Word-Games as the Key
to the Reconstruction of the Self -- 3.4. The Refashioning of Religious Rituals as
an Expression of Intersubjective Change of the Self -- Chapter Six Admiel Kosman:
We Reached God The Popping Self -- 1. The Poetic Grammar of Revolution: The New Believer
-- 1.1. How to Do Things with Words: The Weekly Torah Portion -- 1.2. When All the
Words Are Finished--All Is Intoxicated from Clarity -- 2. Dialogical Grammar: Self-Constitution
as Conversational Process --
3. Mystical Grammar: Private Pain and Manifestation of the Other Chapter Seven Shimon
Adaf: Poetry as Philosophy and Philosophy as Poetry The Nobility of Pain 1. Icarus
Monologue: The Poetic Grammar of Hybrid Imagination -- 2. What I Thought Shadow Is
the Real Body: The Dialogical Grammar of Place, Time, and Memory -- 2.1. Poetry as
a Chronological and Thematic Point of Departure 2.2. The Subject as the Limit of the
World -- 3. Aviva-No: The Grammar of Mourning -- 4. The Way Music Speaks -- Summation:
"As if I Could Read the Darkness" -- Index
Note(s) : Notes bibliogr. Index
Fondé en partie sur : דיסרטציה : התכנית ללימודי פרשנות ותרבות : רמת-גן, אוניברסיטת
בר-אילן : תשס"ה (2004). Titre de soutenance : שירה דתית כמשחק שפה
Autre(s) auteur(s) : Levin, Edward (1948-....). Traducteur
Sujet(s) : Wittgenstein, Ludwig (1889-1951) -- Critique et interprétation
Zelda (1914-1984) -- Critique et interprétation
Amichai, Yehuda (1924-2000) -- Critique et interprétation
Kosman, Admiel (1957-....) -- Critique et interprétation
Adaf, Shimon (1972-....) -- Critique et interprétation
Religion et littérature
Poésie hébraïque moderne -- Religion -- Judaïsme
Langage -- Religion
Philosophie du langage
Genre ou forme : Poésie religieuse juive
Identifiants, prix et caractéristiques : ISBN 978-1-61811-494-5. - ISBN 1-61811-494-8. - ISBN 978-1-61811-493-8 (erroné) (rel.)
Identifiant de la notice : ark:/12148/cb444824499
Notice n° :
FRBNF44482449
(notice reprise d'un réservoir extérieur)
