Notice bibliographique

  • Notice

Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : sans médiation

Auteur(s) : Kernfeld, Barry Dean (1950-....)  Voir les notices liées en tant qu'auteur

Titre(s) : Pop song piracy [Texte imprimé] : disobedient music distribution since 1929 / Barry Kernfeld

Publication : Chicago ; London : University of Chicago Press, c2011

Description matérielle : xii, 273 p. : ill. ; 24 cm

Comprend : pt. 1. Printed music. Tin Pan Alley's near-perfect distribution system ; Bootlegging song sheets ; The content and uses of song sheets ; Fake books and music photocopying ; pt. 2. Broadcasting. Pirate radio in Northwestern Europe ; pt. 3. Recordings. Illegal copying of phonograph records ; Illegal copying of tapes ; Bootleg albums as unauthorized new releases ; Illegal copying of compact discs ; Song sharing.

Note(s) : Includes bibliographical references (p. 255-263) and index
"The music industry's ongoing battle against digital piracy is just the latest skirmish in a long conflict over who has the right to distribute music. Starting with music publishers' efforts to stamp out bootleg compilations of lyric sheets in 1929, Barry Kernfeld's Pop Song Piracy details nearly a century of disobedient music distribution from song sheets to MP3s. In the 1940s and '50s, Kernfeld reveals, song sheets were succeeded by fake books, unofficial volumes of melodies and lyrics for popular songs that were a key tool for musicians. Music publishers attempted to wipe out fake books, but after their efforts proved unsuccessful they published their own. Pop Song Piracy shows that this pattern of disobedience, prohibition, and assimilation recurred in each conflict over unauthorized music distribution, from European pirate radio stations to bootlegged live shows. Beneath this pattern, Kernfeld argues, there exists a complex give and take between distribution methods that merely copy existing songs (such as counterfeit CDs) and ones that transform songs into new products (such as file sharing). Ultimately, he contends, it was the music industry's persistent lagging behind in creating innovative products that led to the very piracy it sought to eliminate"--Provided by publisher.


Autre(s) forme(s) du titre : 
- Autre forme du titre : Disobedient music distribution since 1929


Sujet(s) : Industrie de la musique et du son -- Pratiques déloyales -- États-Unis -- 20e siècle  Voir les notices liées en tant que sujet
Enregistrements pirates -- États-Unis -- 20e siècle  Voir les notices liées en tant que sujet
Piratage (droit d'auteur) -- États-Unis -- 20e siècle  Voir les notices liées en tant que sujet

Indice(s) Dewey :  364.168 (23e éd.) = Délits commerciaux, financiers, professionnels  Voir les notices liées en tant que sujet


Identifiants, prix et caractéristiques : ISBN 9780226431826 (cloth) (alk. paper). - ISBN 0226431827 (cloth) (alk. paper). - ISBN 9780226431833 (pbk.) (alk. paper). - ISBN 0226431835 (pbk.) (alk. paper)

Identifiant de la notice  : ark:/12148/cb42510399j

Notice n° :  FRBNF42510399 (notice reprise d'un réservoir extérieur)



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