Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation
Titre(s) : Regimes of Invisibility in Contemporary Art, Theory and Culture [Texte imprimé] : Image, Racialization, History / edited by Marina Gržinić, Aneta Stojnić, Miško Šuvaković
Publication : Cham : Springer International Publishing : Palgrave Macmillan, 2017
Description matérielle : 1 vol. (VII-173 p.) : ill. ; 21 cm
Note(s) : This book places a focus on the regimes of in/visibility and representation in Europe
and offers an innovative perspective on the topic of global capitalism in relation
to questions of race, class, gender and migration, as well as historicization of biopolitics
and (de)coloniality. The aim of this volume is to revisit theories of art, new media
technology, and aesthetics under the weight of political processes of discrimination,
racism, anti-Semitism and new forms of coloniality in order to propose a new dispositive
of the ontology and epistemology of the image, of life and capitalism as well as labor
and modes of life. This book is firmly embedded in the present moment, when due to
rapid and major changes on all levels of political and social reality the need for
rearticulation in theoretical, artistic and political practices and rethinking of
historical narratives becomes almost tangible
Autre(s) auteur(s) : Gržinić, Marina (1958-....). Éditeur scientifique
Stojnić, Aneta (1981-....). Éditeur scientifique
Šuvaković, Miško (1951-....). Éditeur scientifique
Sujet(s) : Art -- 21e siècle -- Société -- Europe
Ethnologie -- Europe
Culture -- Europe
Indice(s) Dewey :
306.094 (23e éd.) = Culture et institutions - Europe
Identifiants, prix et caractéristiques : ISBN 9783319551739. - ISBN 3319551736. - ISBN 9783319551722. - ISBN 3319551728. -
ISBN 9783319551746. - ISBN 3319551744. - ISBN 9783319855851. - ISBN 3319855859
Identifiant de la notice : ark:/12148/cb45727792w
Notice n° :
FRBNF45727792
(notice reprise d'un réservoir extérieur)
Table des matières : 1. Introduction: Image, Racialization, History ; 2. Racialized bodies, and the digital
(financial) mode of production ; 3. Politics and Aesthetics of Databases and Forensics
; 4. The Emancipation of Necrocapitalism: Teleological Function of Liberalism and
the Optimization of Hegemony ; 5. Influence of Western Society on Identity Politics
of Sexual and Gender Minorities in Colonial and Post-Colonial India ; 6. Radical
Contemporaneity: Politics of the Image in Videos by Gržinić & Šmid ; 7. Affective
Constructions: Image – Racialization – History ; 8. Spiritual Revolutions: Afropean
Body Politics and the 'Secularity' of the Arts ; 9. zContingent monumentsy: Constructions
of Publicness in the Fascist Italy Exhibition Complex, 1920s-1940s ; 10. Screened
Otherness: A Media Archaeology of Romani Criminalization ; 11. An Image and its Histories:
The Uncovering of Rembrandt's Masterpiece Lost During the Second World War.- .
