Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation
Auteur(s) : Simms, Bryan Randolph (1944-....)
Titre(s) : The atonal music of Arnold Schoenberg [Texte imprimé] : 1908-1923 / Bryan R. Simms
Publication : New York : Oxford University Press, 2000
Description matérielle : 1 vol. (IX-265 p.) : ill. ; 24 cm
Note(s) : Includes bibliographical references (pages 223-257) and index
Between 1908 and 1923, Arnold Schoenberg began writing music that went against many
of the accepted concepts and practices of this art. Largely following his intuition
during these years, he composed some of the masterpieces of the modern repertoire--including
Pierrot lunaire and Erwartung--works that have since provoked a large, though fragmented,
body of critical and analytical writing. In this book, Bryan Simms combines a historical
study with a close analytical reading of the music to give us a new understanding
of Schoenberg's seminal work during this period. --From publisher's description
Sujet(s) : Schoenberg, Arnold (1874-1951) -- Critique et interprétation
Atonalité
Indice(s) Dewey :
780.92 (23e éd.) = Musique - Biographie
Identifiants, prix et caractéristiques : ISBN 0195128265. - ISBN 9780195128260
Identifiant de la notice : ark:/12148/cb47232546k
Notice n° :
FRBNF47232546
(notice reprise d'un réservoir extérieur)
Table des matières : Atonality and the critical imagination ; Schoenberg's evolution toward atonality
; Settings of the poetry of Stefan George, op. 10, op. 14 and op. 15 ; Small instrumental
works: op. 11, op. 16, op. 19 and three pieces for chamber orchestra ; The operas
Erwartung and Die glückliche Hand ; New uses of the voice: Herzgewächse, Pierrot
lunaire, and four songs, op. 22 ; On the road from earth to heaven: symphony and
Die Jakobsleiter ; Composing with tones: five piano pieces, op. 23, and serenade,
op. 24.
