Notice bibliographique
- Notice
000 cam 22 3 450
001 FRBNF474552510000009
010 .. $a 978-0-300-27328-1 $b rel.
010 .. $a 0300273282
035 .. $a OCoLC1408417822
100 .. $a 20250205d2023 m y0frey50 ba
101 0. $a eng
102 .. $a US
105 .. $a a z 00|y|
106 .. $a r
181 .0 $6 01 $a i $b xxxe $a b $b xb2e
181 .. $6 02 $c txt $c sti $2 rdacontent
182 .0 $6 01 $a n
182 .. $6 02 $c n $2 rdamedia
200 1. $a Ruth Asawa $b Texte imprimé $e through line $f edited by Kim Conaty and Edouard Kopp $g with contributions by Aleesa Pitchamarn Alexander, Jordan Troeller, Scout Hutchinson,
Kirtsten Marples, Isabel Bird
214 .0 $a Houston $c The Menil Collection $a New York $c Whitney Museum of American Art
214 .4 $d C 2023
215 .. $a 1 vol. (231 p.) $c ill., fac-similés $d 29 cm
300 .. $a Publié à l'occasion de l'exposition du même titre tenue au Whitney Museum of American
Art, New York, du 16 septembre 2023 au 15 janvier 2024, et à The Menil Collection,
Houston, du 22 mars au 21 juillet 2024
300 .. $a Notes bibliogr.
330 .. $a « Ruth Asawa (1926-2013), widely known for her looped-wire sculptures, was an inveterate
drawer. She filled sketchbook after sketchbook and even stated that drawing was central
to her sculpture. This volume is the first to consider the significance of drawing
in Asawa's oeuvre throughout her career, featuring essays that examine the range of
Asawa's aesthetic maneuvers across materials and techniques; how Asawa's drawing intertwined
with the Bay Area arts community and her contributions to public education as a teacher
and organizer; and the influence of Josef Albers's pedagogy and Asawa's lifelong adoption
of his type of paper folding. Tracing Asawa's artistic journey from her first formal
art lessons in a Japanese American internment camp during World War II through her
time at Black Mountain College and beyond, this comprehensive overview of the artist's
drawings includes reproductions of more than one hundred works--many of which have
never been published--organized into eight thematic sections that cut through time,
reflecting an art-making practice that was more circular or cyclical than linear.
»
503 1. $a Exposition $m New York $n Whitney museum of American art $j 2023 $j 2024
503 1. $a Exposition $m Houston (Tex.) $n Menil Collection $j 2024
676 .. $a 730.92 $v 23
801 .3 $a US $b OCoLC $c 20250205 $h 1408417822 $2 marc21
801 .0 $b UQ1 $g rda
930 .. $5 FR-751131010:47455251001001 $a 2024-112388 $b 759999999 $c Tolbiac - Rez de Jardin - Littérature et art - Magasin $d O
