Notice bibliographique
- Notice
Au format public
Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : sans médiation
Auteur(s) : McCauley, Anne
Princeton university Art museum
Titre(s) : Clarence H. White and his world [Texte imprimé] : the art & craft of photography, 1895-1925 / Anne McCauley ; with contributions by Peter C. Bunnell, Verna Posever Curtis, Perrin M. Lathrop, Adrienne Lundgren, Barbara L. Micheals, Ying Sze Pek, Caitlin Ryan
Publication : Princeton, New Jersey : Princeton University Art Museum, [2017]
Description matérielle : 1 vol. (408 p.) : ill. en noir ; 30 cm
Note(s) : Publié à l'occasion de l'exposition présentée au Princeton University Art Museum,
Princeton, New Jersey du 7 octore 2017 au 7 janvier 2018 ; au Davis Museum, Wellesley
College, Wellesley, Massachusetts du 7 février au 3 juin 2018, au Portland Museum
of Art, Portland, Maine, du 22 juin au 16 septembre 2018, et au Cleveland Museum of
Art, Cleveland, Ohio, du 21 octobre au 21 janvier 2019. - Bibliographie: pages 387-397
Restoring a gifted art photographer to his place in the American canon and, in the
process, reshaping and expanding our understanding of early 20th-century American
photography Clarence H. White (1871-1925) was one of the most influential art photographers
and teachers of the early 20th century and a founding member of the Photo-Secession.
This beautiful publication offers a new appraisal of White's contributions, including
his groundbreaking aesthetic experiments, his commitment to the ideals of American
socialism, and his embrace of the expanding fields of photographic book and fashion
illustration, celebrity portraiture, and advertising. Based on extensive archival
research, the book challenges the idea of an abrupt rupture between prewar, soft-focus
idealizing photography and postwar "modernism" to paint a more nuanced picture of
American culture in the Progressive era. Clarence H. White and His World begins with
the artist's early work in Ohio, which shares with the nascent Arts and Crafts movement
the advocacy of hand production, closeness to nature, and the simple life
Autre(s) titre(s) conventionnel(s) : [Exposition. 2017/2019]
Sujet(s) : White, Clarence Hudson (1871-1925)
Pictorialisme
Princeton university Art museum
Genre ou forme : Catalogues
Identifiants, prix et caractéristiques : ISBN 9780943012216. - ISBN 094301221X. - ISBN 9780300229080. - ISBN 0300229089
Identifiant de la notice : ark:/12148/cb47401302w
Notice n° :
FRBNF47401302
(notice reprise d'un réservoir extérieur)
Table des matières : Introduction : photographing together / Anne McCauley ; Amateur photography and the poetry of the everyday / Anne McCauley ; The Photo-secession and the paradox of pictorialist commercial photography, 1904-1912 / Anne McCauley ; Bringing fiction to life : Clarence H. White's photographic illustrations / Barbara L. Michaels ; Clarence H. White in the light of F. Holland Day / Verna Posever Curtis ; Rethinking the politics of pictorial photography : White and Socialism / Anne McCauley ; "Clean, strong, firm-fibred" : White's photographic nudes / Anne McCauley ; Progress and Pictorialism : the Newark Museum and photography, 1901-1923 / Perrin M. Lathrop ; Beyond the classroom : White as a teacher / Anne McCauley ; Design, abstraction, and photographic art : Max Weber at the White School, 1914-1918 / Ying Sze Pek ; "A thing of freedom" : Clarence H. White and aesthetic dance / Caitlin Ryan ; Saving art photography : White's late work and the legacy of Pictorialism / Anne McCauley ; Cyanotype, platinum, and palladium printing : the siderotype artistry of Clarence H. White / Adrienne Lundgren ; Clarence H. White's "best available examples" at the Library of Congress / Verna Posever Curtis ; Finished, unfinished, and experimental : the Clarence H. White collection at the Princeton University Art Museum / Peter C. Bunnell
