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000 cam 22 3 450
001 FRBNF473479480000004
010 .. $a 9781503634824
010 .. $a 1503634825
010 .. $a 9781503635913
010 .. $a 1503635910 $z 9781503635920
035 .. $a OCoLC1336702417
100 .. $a 20240312d2023 m y0engy50 ba
101 0. $a eng
102 .. $a US
105 .. $a ||||z 00|y|
106 .. $a r
181 .0 $6 01 $a i $b xxxe
181 .. $6 02 $c txt $2 rdacontent
182 .0 $6 01 $a n
182 .. $6 02 $c n $2 rdamedia
200 1. $a Maghreb noir $b Texte imprimé $e the militant-artists of North Africa and the struggle for a Pan-African, postcolonial future $f Paraska Tolan-Szkilnik
214 .0 $a Stanford, [California] $c Stanford University Press $d 2023
215 .. $a xvi, 251 pages $c illustrations $d 23 cm
225 |. $a Worlding the Middle East
300 .. $a Includes bibliographical references and index
312 .. $a Autre forme de titre : Militant-artists of North Africa and the struggle for a Pan-African, postcolonial future
330 .. $a "Upon their independence, Moroccan, Algerian, and Tunisian governments turned to the Global South and offered military and financial aid to Black liberation struggles. Tangier and Algiers attracted Black American and Caribbean artists eager to escape American white supremacy; Tunis hosted African filmmakers for the Journées Cinématographiques de Carthage; and young freedom fighters from across the African continent established military training camps in Morocco. North Africa became a haven for militant-artists, and the region reshaped postcolonial cultural discourse through the 1960s and 1970s. Maghreb Noir dives into the personal and political lives of these militant-artists, who collectively challenged the neo-colonialist structures and the authoritarianism of African states. Drawing on Arabic, Spanish, Portuguese, French, and English sources, as well as interviews with the artists themselves, Paraska Tolan-Szkilnik expands our understanding of Pan-Africanism geographically, linguistically, and temporally. This network of militant-artists departed from the racial solidarity extolled by many of their nationalist forefathers, instead following in the footsteps of their intellectual mentor, Frantz Fanon. They argued for the creation of a new ideology of continued revolution - one that was transnational, trans-racial, and in defiance of the emerging nation-states. Maghreb Noir establishes the importance of North Africa in nurturing these global connections - and uncovers a lost history of grassroots collaboration among militant-artists from across the globe"
410 .0 $0 47291996 $t Worlding the Middle East $d 2023
517 1. $a Militant-artists of North Africa and the struggle for a Pan-African, postcolonial future
606 .. $3 12507887 $a Arts et politique $3 11930846 $y Afrique du Nord $3 11975995 $z 20e siècle $2 rameau
606 .. $3 12003982 $a Anti-impérialisme $3 11930846 $y Afrique du Nord $3 11975995 $z 20e siècle $2 rameau
606 .. $3 11954256 $a Panafricanisme $3 11930846 $y Afrique du Nord $3 11975995 $z 20e siècle $2 rameau
606 .. $3 12333134 $a Arts noirs $3 11930846 $y Afrique du Nord $3 11975995 $z 20e siècle $2 rameau
676 .. $a 709.61 $v 23
700 .| $3 18135857 $a Tolan-Szkilnik $b Paraska $4 070
801 .3 $a US $b OCoLC $c 20240312 $h 1336702417 $2 marc21
801 .0 $b CSt/DLC $g rda
930 .. $5 FR-759999999:47347948001001 $a 030.77 TOLA m $b 759999999 $c Tolbiac - Rez de Jardin - Audiovisuel - Salle P - Libre accès $d N

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