Notice bibliographique
- Notice
000 cam 22 450
001 FRBNF473360240000005
010 .. $a 978-2-35613-516-2 $b br. $d h.c.
020 .. $a FR $b 02522539
100 .. $a 20230928d2022 m h0frey50 ba
101 1. $a fre $c fre
102 .. $a FR
105 .. $a ||||z 00|y|
106 .. $a r
181 .0 $6 01 $a i $b xxxe $a b $b xb2e
181 .. $6 02 $c txt $c sti $2 rdacontent
182 .0 $6 01 $a n
182 .. $6 02 $c n $2 rdamedia
200 1. $a The colours of English alabaster panels $b Texte imprimé $e medieval polychromy, production and perception $f Markus Schlicht, Aurélie Mounier, Maud Mulliez $g with the assistance of Pascal Mora and Romain Pacanowski
214 .0 $a Pessac $c Ausonius éditions $d DL 2022
214 .3 $a 33-Pessac $c Impr. de l'Université Bordeaux Montaigne
215 .. $a 1 vol. (123 p.) $c ill. en coul. $d 24 cm
225 |. $a PrimaLun@ $x 2741-1818 [sic] $v 22
300 .. $a Trad. du français
300 .. $a Bibliogr. p. 119-123
300 .. $a ISSN exact : 2779-4830
330 .. $a Between c. 1350 and 1550, English sculptors carved thousands of panels depicting religious
scenes from alabaster quarries around Nottingham. Exported throughout Europe, these
polychrome reliefs were originally often assembled to form altarpieces. Their coloured
epidermis, an integral part of these artworks, has now often disappeared. A multidisciplinary
team (art historian, archaeologist, artist specializing in ancient polychromies, 3D
engineers and optodigital researcher) has analyzed and reconstructed the polychromy
of several of these English panels preserved in the Bordeaux region. The physico-chemical
analyses permitted to determine the nature of the materials employed and to recreate
the paints used by the painters. These data served to produce an alabaster facsimile
as well as three 3D models with their digital polychromy. As the polychromy of English
alabasters is highly standardized, these examples can be considered representative
of the aspect that the vast majority of the panels must have shown. The study thus
allows us to address broader themes, such as the aesthetic and symbolic qualities
of the colours used by the alabastermen, or the way in which the polychromy was perceived
by the medieval viewer. $2 éditeur
410 .0 $0 46743956 $t PrimaLun@ (Imprimé) $x 2779-4830 $v 22
606 .. $3 12236713 $a Sculpture en albâtre $3 11931584 $y Grande-Bretagne $3 11975717 $z Moyen âge $2 rameau
606 .. $3 12492732 $a Sculpture polychrome $3 11931584 $y Grande-Bretagne $3 11975717 $z Moyen âge $2 rameau
676 .. $a 730.942 0902 $v 23
686 .. $a 730 $2 Cadre de classement de la Bibliographie nationale française
801 .0 $a FR $b FR-751131015 $c 20230928 $g AFNOR $h FRBNF473360240000005 $2 intermrc
930 .. $5 FR-751131010:47336024001001 $a 2023-210043 $b 759999999 $c Tolbiac - Rez de Jardin - Littérature et art - Magasin $d O
