Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation
Auteur(s) : Bauer, Erin E. (1983-....)
Titre(s) : Flaco's legacy [Texte imprimé] : the globalization of conjunto / Erin E. Bauer
Publication : Urbana : University of Illinois Press, 2023
Description matérielle : 1 vol. (viii-290 p.) : ill. ; 23 cm
Collection : Music in American life
Lien à la collection : Music in American life
Note(s) : Includes bibliographical references (pages 277-280) and index. - Discography: pages
275-276
"A combination of button accordion and bajo sexto, conjunto originated in the Texas-Mexico
borderlands as a popular dance music and became a powerful form of regional identity.
Today, listeners and musicians around the world have embraced the genre and the work
of conjunto masters like Flaco Jiménez and Mingo Saldívar. Erin E. Bauer follows
conjunto from its local origins through three processes of globalization--migration
via media, hybridization, and appropriation--that boosted the music's reach. As Bauer
shows, conjunto's encounter with globalizing forces raises fundamental questions.
What is conjunto stylistically and socioculturally? Does context change how we categorize
it? Do we consider the music to be conjunto based on its musical characteristics or
due to its performance by Jiménez and other regional players? How do similar local
genres like Tejano and norteño relate to ideas of categorization? A rare look at
a fascinating musical phenomenon, Flaco's Legacy reveals how conjunto came to encompass
new people, places, and styles"
Sujet(s) : Jiménez, Flaco (1939-....)
Musique et mondialisation
Norteño (musique)
Indice(s) Dewey :
781.640 97 (23e éd.) = Musique populaire occidentale - Amérique du Nord
Identifiants, prix et caractéristiques : ISBN 9780252087158
Identifiant de la notice : ark:/12148/cb47269441w
Notice n° :
FRBNF47269441
(notice reprise d'un réservoir extérieur)
Table des matières : Introduction : The globalization of conjunto ; Part I : The migration of conjutno.
"We love you, Flaco!" : Chicken Skin Music, "Mingomania," and the Inter/national presentation
of conjunto ; "Ladies and gentlemen, Dodge presents Flaco Jiménez!" : Arhoolie Records,
KEDA Radio Jalapeño, and the mediated dispersal of conjunto ; "From Texas to Washington
and across to Michigan and Illinois..." : Nostalgia and authenticity in the U.S. American
spread of conjunto ; Part II : The hybridization of conjunto. "You have to mix it
up!" : "Seguro que Hell yes," the Texas Tornados, Los Super Seven, and the cultural
hybridity of Flaco Jiménez ; "I play the jazz accordion!" : "Rueda de ruego (Ring
of fire)," "My toot toot," and the country/zydeco Influences of Mingo Saldívar and
Steve Jordan ; "It's jealousy..." : Eva Ybarra and the hybrid offerings of women in
conjunto ; Part III : The appropriation of conjunto. "That's my music!" : Kenji Katsube,
Dwayne Verheyden, and the worldwide participation in conjunto ; "¡Esto es globalización!"
: Rowwen Hèze, the Rolling Stones, and the commercialized appropriation of conjunto
