Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : sans médiation
Titre conventionnel : [Exposition. Londres, Tate Britain. 2019/2021]
Titre(s) : Steve McQueen [Texte imprimé] : year 3 : [exhibition, London, Tate Britain, 12 November 2019-31 January 2021] / [catalog edited by Clarrie Wallis and Nathan Ladd]
Publication : London : Tate publishing, 2022
Description matérielle : 1 vol. (351 p.) : ill. en coul. ; 26 x 32 cm
Note(s) : Steve McQueen Year 3 is a partnership between Tate, Artangel and A New Direction with
collaboration from media partner BBC London and film partner Into Film. - Contient un texte de Steve McQueen. - Notice rédigée à partir de la couverture
Autre(s) auteur(s) : Tate Britain (Londres)
Wallis, Clarrie. Éditeur scientifique
Ladd, Nathan. Éditeur scientifique
Sujet(s) : McQueen, Steve (1969-....) -- Thèmes, motifs
Écoliers -- Photographie -- Londres (GB) -- 2000-....
Genre ou forme : Catalogues d'exposition
Indice(s) Dewey :
779.092 (23e éd.) = Images photographiques - Biographie
Identifiants, prix et caractéristiques : ISBN 978-1-84976-776-7 (rel.)
EAN 9781849767767
Identifiant de la notice : ark:/12148/cb47160343z
Notice n° :
FRBNF47160343
(notice reprise d'un réservoir extérieur)
Résumé : Year 3' is one of the most ambitious records of citizenship ever undertaken. Using
the medium of the traditional school class photograph, this epic work captures tens
of thousands of London schoolchildren from a single academic year. Mapping a picture
of the present, the artwork captures a milestone year in a child's personal development:
the moment when they become more conscious of the world beyond their immediate family.
It is a critical time for them to develop confidence in all areas of life, to understand
more about their place in the changing world and to think about the future. Depicting
rows of children sitting or standing alongside their teachers and teaching assistants,
Year 3 reflects this moment of excitement, anxiety and hope. Year 3 is more than a
portrait of a generation however: it documents and explores, in a way never before
attempted, a range of urgent ideas connected to the UK, and to our world, today. This
book takes the photographs as a starting point and looks ahead, commenting on and
contextualising the artwork and its message, but also providing a platform for new
voices, and a new set of ideas. Year 3 is less a commemoration and more an active
extension of the artwork itself: 'a glimpse of the capital's future, a hopeful portrait
of a generation to come
