Notice bibliographique

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Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : sans médiation

Auteur(s) : Rankin, Susan  Voir les notices liées en tant qu'auteur

Titre(s) : Sounding the Word of God [Texte imprimé] : Carolingian books for singers / Susan Rankin

Publication : Notre Dame, Indiana : University of Notre Dame Press, copyright 2022

Description matérielle : 1 vol. (XXIX-398 pages) : illustrations (color), music ; 27 cm

Collection : The Conway lectures in medieval studies

Lien à la collection : The Conway lectures in medieval studies 


Note(s) : Includes bibliographical references (pages 347-373) and indexes
"Drawing on a wide context of bookmaking, this sweeping study traces fundamental changes in books made to support musical practice during the Carolingian Renaissance. During the late eighth and ninth centuries, there were dramatic changes in the way European medieval scribes made books for singers, moving from heavy reliance on unwritten knowledge to the introduction of musical notation into manuscripts. Well-made liturgical books were vital to the success of the Carolingian fight for Christian salvation: these were the basis for carrying out worship correctly, rendering it most effective in petitions to the Christian God. In Sounding the Word of God, Susan Rankin explores Carolingian concern with the expression and control of sound in writing--discernible through instructions for readers and singers visible in liturgical books. Her central focus is on books made for singers, including those made for priests. The emergence of musical notations for ecclesiastical chant and of books designed to accommodate those notations, Rankin concludes, are important aspects of the impact of Carolingian reforming zeal on material culture. The book has three sections. Part 1 considers late antique and early medieval texts, which deal with the value of singing and its necessary regulation. Part 2 describes and investigates techniques used by Carolingian scribes to provide instructions for readers and singers. The extant books themselves are the focus of part 3. Rankin's analysis of over two hundred manuscripts and extensive supporting images represents the work of a scholar who has spent a lifetime with the sources; her explication of the images, particularly those of the earlier manuscripts, changes the way in which musicologists and liturgical scholars will view the images. Indeed, it will change the way in which they approach the unfolding history of chant and liturgy in the Carolingian period"


Sujet(s) : Notation musicale -- Moyen âge  Voir les notices liées en tant que sujet
Manuscrits musicaux -- Moyen âge  Voir les notices liées en tant que sujet
Musique vocale sacrée -- Moyen âge  Voir les notices liées en tant que sujet


Identifiants, prix et caractéristiques : ISBN 9780268203436. - ISBN 0268203431. - ISBN 9780268203450 (erroné). - ISBN 9780268203429 (erroné) (rel.)

Identifiant de la notice  : ark:/12148/cb47156531r

Notice n° :  FRBNF47156531 (notice reprise d'un réservoir extérieur)



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