Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation
Auteur(s) : Nowak, Raphaël (1985-....)
Bennett, Andy (1963-....)
Titre(s) : Music sociology [Texte imprimé] : value, technology, and identity / Raphaël Nowak and Andy Bennett
Publication : Abingdon ; New York (N.Y.) : Routledge, 2022
Description matérielle : vii, 185 pages ; 23 cm
Note(s) : Includes bibliographical references and index
Music Sociology critically evaluates current approaches to the study of music in sociology
and presents a broad overview of how music is positioned and represented in existing
sociological scholarship. It then goes on to offer a new framework for approaching
the sociology of music, taking music itself as a starting point, and considering what
music sociology can learn from related disciplines such as critical musicology, ethnomusicology,
and cultural studies. As a central form of leisure, consumption, and cultural production,
music has attracted significant attention from sociologists who seek to understand
its deeper socio-cultural meaning. With case studies that address sound environments,
consumption, media technologies, local scenes, music heritage, and ageing, the authors
highlight the distinctive nature of musical experience, and show how sociology can
illuminate it. Providing both a survey of existing perspectives the sociology of music,
and a thought-provoking discussion of how the field can move forward, this concise
and accessible book will be a vital reading for anyone teaching or studying music
from a sociological standpoint
Sujet(s) : Sociologie de la musique
Musique et technologie
Indice(s) Dewey :
306.484 2 (23e éd.) = Musique (sociologie)
Identifiants, prix et caractéristiques : ISBN 0367210193. - ISBN 9780367210199. - ISBN 0367210185. - ISBN 9780367210182. -
ISBN 9780429559877 (erroné). - ISBN 9780429555404 (erroné). - ISBN 9780429264856 (erroné)
Identifiant de la notice : ark:/12148/cb47051201m
Notice n° :
FRBNF47051201
(notice reprise d'un réservoir extérieur)
Table des matières : Introduction: Music in (the Context of ) Sociology ; What we mean by music sociology
; The focus of this book ; References ; Chapter 1 Situating the Sociology of Music
; 1.1 A brief perspective on the discipline ; 1.2 The constructivist sociological
approach to music ; 1.3 The structuralist sociological approach to music ; 1.4 Where
do we go from here? Music as a cultural object ; Chapter 2 The Techno-Cultural Transformations
of Music in the Digital Age ; 2.1 Key trends of the 'digital age' of music ; 2.2
Framing musical experiences: from participation to branding ; 2.3 Streaming services
and the datafication of music ; 2.4 Streaming services, listening, and the economy
of attention ; Chapter 3 Aesthetics and Value in Music Sociology ; 3.1 The problems
with aesthetics ; 3.2 Sociology and aesthetics ; identifying the mediators and mediations
of value ; 3.3 Music, genres, and the 'social' ; Chapter 4 Sound Environments and
Everyday Music Listening Practices ; 4.1 Accounting for the sounds of everyday life
; 4.2 Technologies of manipulation and/or of control? ; 4.3 A dynamic system for
mediated music listening practices ; 4.4 Listening and the search for adequate music
; Chapter 5 Music Taste: What Is Liking Music? ; 5.1 The social distribution of music
taste ; structural homology, omnivorousness, or eclecticism? ; 5.2 Social expressions
of music taste: distinction or differentiation? ; 5.3 Taste as activity ; Chapter
6 Music, Identity, and Ageing ; 6.1 From youth to post-youth ; 6.2 Music and ageing
identity ; 6.3 Music, ageing, and lifestyle ; Chapter 7 Popular Music Heritage and
the Obsession with Preservation ; 7.1 What is popular music heritage and what is
it for? ; 7.2 How does popular music heritage change the value of music?
