Notice bibliographique

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Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : sans médiation

Titre(s) : Mamma Andersson [Texte imprimé] : the lost paradise / with a text by Karl Ove Knausgaard

Publication : New York : David Zwirner Books, copyright 2021

Description matérielle : 57 pages : color illustrations ; 31 cm

Note(s) : Published to accompany the exhibition of the same name held at the David Zwirner, New York, March 4-July 31, 2020


Autre(s) auteur(s) : Knausgård, Karl Ove (1968-....)  Voir les notices liées en tant qu'auteur


Autre(s) titre(s) conventionnel(s) : [Exposition. New York, David Zwirner. 2020]



Sujet(s) : Andersson, Karin Mamma (1962-....)  Voir les notices liées en tant que sujet

Genre ou forme : Catalogues d'exposition  Voir les notices liées en tant que genre ou forme

Indice(s) Dewey :  759.85 (23e éd.) = Peinture - Suède  Voir les notices liées en tant que sujet


Identifiants, prix et caractéristiques : ISBN 978-1-64423-056-5 (rel.). - ISBN 1644230569

Identifiant de la notice  : ark:/12148/cb46955320j

Notice n° :  FRBNF46955320 (notice reprise d'un réservoir extérieur)


Résumé : This volume celebrates the Swedish artist Mamma Andersson's new body of work--melancholic, evocatively colored paintings that explore femininity, fantasy, and memory. Andersson's works embody a new genre of landscape painting that recalls late nineteenth-century romanticism while also embracing a contemporary interest in layered, psychological compositions. Her panoramic scenes draw inspiration from a wide range of archival photographic source materials, filmic imagery, theater sets, and period interiors as well as the sparse topography of northern Sweden, where she grew up. The paintings utilize a selection of motifs from throughout her career: barren branches and thick-barked pine trees, domestic interiors, horses, and young women. Resembling still lifes, they further a tradition of quiet, dreamlike domestic scenes by Scandinavian artists such as Vilhelm Hammershøi (1864-1916) and Edvard Munch (1863-1944). Part of a self-conscious effort to capture an experience rather than a specific event, the compositions are freer and more abstract and mark a departure from her earlier work. Splendid color reproductions bring the artist's textured brushstrokes, loose washes, and stark graphic lines to life on the page. The book also features a new essay by critically acclaimed author Karl Ove Knausgaard. The Lost Paradise is published on the occasion of an eponymous exhibition presented at David Zwirner New York in 2020. --Publisher's description


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