Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation
Auteur(s) : Roig-Francoli, Miguel Angel (1953-.... ; compositeur)
Titre(s) : Understanding post-tonal music [Texte imprimé] / Miguel A. Roig-Francolí
Édition : Second edition
Publication : New York : Routledge, Taylor & Francis Group, 2021
Description matérielle : xxiii, 431 pages : illustrations (black and white) ; 27 cm
Note(s) : Includes bibliographical references and index
"Understanding Post-Tonal Music is a student-centered textbook that explores the compositional
and musical processes of twentieth-century post-tonal music. Intended for undergraduate
or general graduate courses on the theory and analysis of twentieth-century music,
this book will increase the accessibility of post-tonal music by providing students
with tools for understanding pitch organization, rhythm and meter, form, texture,
and aesthetics. By presenting the music first and then deriving the theory, Understanding
Post-Tonal Music leads students to greater understanding and appreciation of this
challenging and important repertoire. The updated second edition includes new Explorations
features that guide students to engage with pieces through listening and a process
of exploration, discovery, and discussion; a new chapter covering electronic, computer,
and spectral musics; additional coverage of music from the twenty-first century and
recent trends; and a new Glossary for quick references to key terminology"
Sujet(s) : Musique -- 20e siècle
Composition (musique) -- 20e siècle
Analyse musicale -- 20e siècle
Tonalité
Théorie musicale -- 20e siècle
Identifiants, prix et caractéristiques : ISBN 9780367355357. - ISBN 0367355353. - ISBN 9780367355371. - ISBN 036735537X. -
ISBN 9780429340123 (erroné). - ISBN 9781000332735 (erroné). - ISBN 9781000332636 (erroné)
Identifiant de la notice : ark:/12148/cb46773794s
Notice n° :
FRBNF46773794
(notice reprise d'un réservoir extérieur)
Table des matières : An overview of twentieth-century compositional styles ; Pitch centricity and composition
with motivic cells ; Pitch centricity, equal divisions of the octave, and symmetry
; Introduction to pitch-class set theory ; Analyzing atonal music ; Drawing on (and
reinterpreting) the past... ; ...and inventing the future ; Twelve-tone music I
: an introduction ; Twelve-tone music II : invariance, symmetry, and combinatoriality
; Serialism : developments after 1945 ; Expanding the limits of musical temporality
; Aleatory music, sound mass, texture and timbre ; Electronic, computer, and spectral
musics ; Integrating the past and reimagining harmony ; Simplifying means ; Into
the twenty-first century.