Notice bibliographique
- Notice
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001 FRBNF46674360000000X
010 .. $a 9782503588315
010 .. $a 250358831X
035 .. $a OCoLC1223011307
073 .0 $a 9782503588315
100 .. $a 20210301d2020 m y0frey50 ba
101 0. $a eng
102 .. $a BE
105 .. $a a z 00|y|
106 .. $a z
181 .0 $6 01 $a i $b xxxe
181 .. $6 02 $c txt $2 rdacontent
182 .0 $6 01 $a n
182 .. $6 02 $c n $2 rdamedia
200 1. $a Sounding the past $b Texte imprimé $e music as history and memory $f edited by Karl Kügle $g Centre d'études supérieures de la Renaissance
214 .0 $a Turnhout $c Brepols
214 .4 $d C 2020
215 .. $a 1 vol. (312 p.) $c mus. impr., couv. ill. $d 26 cm
225 |. $a Épitome musical $x 2565-8166
300 .. $a "Contributors:Karl Kügle( Utrecht University, University of Oxford), Susan Rankin
(University of Cambridge), Adam Mathias (University of Cambridge), David Eben (Charles
University Prague), Daniele V. Filippi (Schola Cantorum Basiliensis), Paweł Gancarczyk
(Institute of Art, Polish Academy of Sciences, Warsaw), Jan Ciglbauer (Charles University
Prague), Emanuel Signer (University of Cambridge), Inga Mai Groote (Heidelberg University),
Lenka Hlávková (Charles University Prague), Manon Louviot (Utrecht University),
Christine Roth (University of Zurich), Bartłomiej Gembicki (Institute of Art, Polish
Academy of Sciences, Warsaw), Antonio Chemotti (Institute of Art, Polish Academy of
Sciences, Warsaw)"--Website https://cesr.univ-tours.fr/centre-detudes-superieures-de-la-renaissance/actualites/publications/sounding-the-past-music-as-history-and-memory
300 .. $a Bibliogr. p. 285-303. Index
330 .. $a This volume offers the first systematic exploration of the past as manifested in music
of the later Middle Ages and the early modern period. It takes the reader on a journey
of discovery across the continent, from the genesis of a new sense of a musical past
in early thirteenth-century Paris to the complex and diverse roles and pedigrees given
music of the past in sources, media, genres, communities, and regions in the Age of
Reformations. Particular attention is given to the use of older styles and musical
traditions in changing constructions of religious and political identity, laying the
groundwork for a revised narrative of European music history that accommodates within
its framework the full plurality of styles and regions found in the sources. The volume
concludes with reflections on the conflicting appropriations and effects of the musical
past today in composition, performance, musicological discourse, and tourism
410 .0 $0 45738420 $t Épitome musical (Turnhout. Printed) $x 2565-8166 $d 2020
801 .3 $a US $b OCoLC $c 20210301 $h 1223011307 $2 marc21
801 .0 $b ZWZ $g ncafnor
930 .. $5 FR-751021003:46674360001001 $a VMB-13926 $b 759999999 $c Richelieu - Musique - Magasin $d N
