Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation
Titre(s) : Theory and method in historical ethnomusicology [Texte imprimé] / edited by Jonathan McCollum and David G. Hebert
Publication : Lanham, Maryland : Lexington Books, copyright 2014
Description matérielle : xviii, 411 pages : illustrations ; 24 cm
Note(s) : Includes bibliographical references (pages 379-383) and index
"Historical ethnomusicology is increasingly acknowledged as a significant emerging
subfield of ethnomusicology due to the fact that historical research requires a different
set of theories and methods than studies of contemporary practices and many historiographic
techniques are rapidly transforming as a result of new technologies. In 2005, Bruno
Nettl observed that "the term 'historical ethnomusicology' has begun to appear in
programs of conferences and in publications" (Nettl 2005, 274), and as recently as
2012 scholars similarly noted "an increasing concern with the writing of musical histories
in ethnomusicology" (Ruskin and Rice 2012, 318). Relevant positions recently advanced
by other authors include that historical musicologists are "all ethnomusicologists
now" and that "all ethnomusicology is historical" (Stobart, 2008), yet we sense that
such arguments--while useful, and theoretically correct--may ultimately distract from
careful consideration of the kinds of contemporary theories and rigorous methods uniquely
suited to historical inquiry in the field of music. In Theory and Method in Historical
Ethnomusicology, editors Jonathan McCollum and David Hebert, along with contributors
Judah Cohen, Chris Goertzen, Keith Howard, Ann Lucas, Daniel Neuman, and Diane Thram
systematically demonstrate various ways that new approaches to historiography--and
the related application of new technologies--impact the work of ethnomusicologists
who seek to meaningfully represent music traditions across barriers of both time and
space. Contributors specializing in historical musics of Armenia, Iran, India, Japan,
southern Africa, American Jews, and southern fiddling traditions of the United States
describe the opening of new theoretical approaches and methodologies for research
on global music history. In the Foreword, Keith Howard offers his perspective on historical
ethnomusicology and the importance of reconsidering theories and methods applicable
to this field for the enhancement of musical understandings in the present and future"
-- From the publisher
Autre(s) auteur(s) : McCollum, Jonathan (1975-....). Éditeur scientifique
Hebert, David G.. Éditeur scientifique
Sujet(s) : Ethnomusicologie
Historiographie musicale
Identifiants, prix et caractéristiques : ISBN 9780739168264. - ISBN 0739168266. - ISBN 1498500862. - ISBN 9781498500869
Identifiant de la notice : ark:/12148/cb466112083
Notice n° :
FRBNF46611208
(notice reprise d'un réservoir extérieur)
Table des matières : Foundations of historical ethnomusicology / / Jonathan McCollum and David G. Hebert ; ; Methodologies for historical ethnomusicology in the twenty-first century / / David G. Hebert and Jonathan McCollum ; ; Philosophy of history and theory in historical ethnomusicology / / David G. Hebert and Jonathan McCollum ; ; Hearing echoes, sensing history : the challenges of musical diaspora / / Judah Cohen ; ; Ancient music, modern myth : Persian music and the pursuit of methodology in historical ethnomusicology / / Ann Lucas ; ; Analysis of notation in music historiography : Armenian neumatic khaz from the ninth through early twentieth centuries / / Jonathan McCollum ; ; Southern American fiddling through the mid-nineteenth century : three snapshots with modern connections / / Chris Goertzen ; ; A tale of two sensibilities : Hindustani music and its histories / / Daniel M. Neuman ; ; The legacy of music archives in historical ethnomusicology : a model for engaged ethnomusicology / / Diane Thram ; ; Contested contextualization : the historical construction of East Asian music / / Keith Howard ; ; Advancing historical ethnomusicology / / Jonathan McCollum and David G. Hebert.