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001 FRBNF465600000000000
010 .. $a 9780190066826
010 .. $a 0190066822 $z 9780190066857 $z 9780190066833 $z 9780190066840
035 .. $a OCoLC1099541281
100 .. $a 20200917d2020 m y0engy50 ba
101 0. $a eng
102 .. $a US
105 .. $a a z 00|y|
106 .. $a z
181 .0 $6 01 $a i $b xxxe $a d $b axxe
181 .. $6 02 $c txt $c ntm $2 rdacontent
182 .0 $6 01 $a n
182 .. $6 02 $c n $2 rdamedia
200 1. $a After Debussy $b Texte imprimé $e music, language, and the margins of philosophy $f Julian Johnson
214 .0 $a New York, NY $c Oxford University Press
214 .4 $d C 2020
215 .. $a xix, 373 pages $c illustrations (some color), music $d 25 cm
300 .. $a Includes bibliographical references (pages 353-363) and index
330 .. $a Classical music shows a close relationship to language, and both musicology and philosophy have tended to approach music from that angle, exploring it in terms of expression, representation, and discourse. This book turns that idea on its head. Focusing on the music of Debussy and its legacy in the century since his death, After Debussy offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound over quasi-linguistic ideas of structure or meaning. Author Julian Johnson argues that Debussy's music exemplifies this idea, influencing the music of successive composers who took up the mantle of emphasizing sound over syntax, sense over signification. In doing so, this music not only anticipates a central problem of contemporary thought-the gap between language and our embodied relation to the world-but also offers a solution. 0With a readable narrative structure grounded in an impressive body of literature, After Debussy ranges widely across French music, demonstrating the impact of Debussy's music on composers from Faure and Ravel to Dutilleux, Boulez, Grisey, Murail and Saariaho. It ranges similarly through a set of French writers and philosophers, from Mallarme and Proust to Merleau-Ponty, Jankelevitch, Derrida, Lyotard and Nancy, and even draws from the visual arts to help embody key ideas. In accessibly tackling substantial ideas of both musicology and philosophy, this book not only presents bold new ways of understanding each discipline but also lays the groundwork for exciting new discourse between them.
600 .| $3 13893072 $a Debussy $b Claude $f 1862-1918 $3 12042895 $x Critique et interprétation $2 rameau
606 .. $3 11955125 $a Musique et langage $2 rameau
606 .. $3 11932562 $a Esthétique musicale $2 rameau
700 .| $3 13774112 $o ISNI0000000114439012 $a Johnson $b Julian $f 19..-.... $c compositeur $4 070
801 .3 $a US $b OCoLC $c 20200917 $h 1099541281 $2 marc21
801 .0 $b DLC $g rda
930 .. $5 FR-751021003:46560000001001 $a VMC-28746 $b 759999999 $c Richelieu - Musique - Magasin $d N

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