Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : sans médiation
Auteur(s) : Rutherford, Anne (1957-....)
Titre(s) : What makes a film tick ? [Texte imprimé] : cinematic affect, materiality and mimetic innervation / Anne Rutherford
Publication : Bern ; New York : Peter Lang, copyright 2011
Description matérielle : 1 vol. (367 p.) : ill. ; 23 cm
Collection : Film cultures ; v. 4
Lien à la collection : Film cultures (Bern)
Note(s) : Includes bibliographical references and index
This study shows how film produces a sensory-affective experience for the spectator.
It argues that we must explore this affective dimension if we want to understand how
cinema takes up cultural or thematic issues
Sujet(s) : Cinéma -- Esthétique
Cinéma -- Psychologie
Émotions -- Au cinéma
Indice(s) Dewey :
791.430 1 (23e éd.) = Cinéma - Philosophie, théorie, esthétique
Identifiants, prix et caractéristiques : ISBN 9783034306546. - ISBN 3034306547
Identifiant de la notice : ark:/12148/cb45869150s
Notice n° :
FRBNF45869150
(notice reprise d'un réservoir extérieur)
Table des matières : Introduction: a paradigm shift in film studies. "A particular type of film experience"
; A paradigm shift in film studies ; Affect and the feature film ; Cinema and embodied
affect ; Precarious boundaries: affect, mise en scène and the senses in Angelopoulos,
Balkans epic ; Nowhere to hide: the tumultuous materialism of Lee Myung-Se ; Affect
and documentary. But what does the man in the cowboy hat think? ; Intercultural dialogue:
silence, taboo and masquerade ; Garin Nugroho: Didong, cinema and the embodiment
of politics in cultural form ; The poetics of a potato: documentary that gets under
the skin ; "Buddhas made of ice and butter": mimetic visuality, transience and the
documentary image.
