Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : sans médiation
Auteur(s) : Reynolds, Lucy. Éditeur scientifique
Titre(s) : Women artists, feminism and the moving image [Texte imprimé] : contexts and practices / edited by Lucy Reynolds
Publication : London ; New York : Bloomsbury Academic, copyright 2019
Description matérielle : xxvi, 282 pages, 16 unnumbered pages of plates : illustrations (some color) ; 24 cm
Collection : International library of the moving image
Lien à la collection : International library of the moving image
Note(s) : Includes bibliographical references (pages 257-270) and index
What is the significance of gendered identification in relation to artists' moving
image? How do women artists grapple with the interlinked narratives of gender discrimination
and gender identity in their work? In this groundbreaking book, a diverse range of
leading scholars, activists, archivists and artists explore the histories, practices
and concerns of women making film and video across the world, from the pioneering
German animator Lotte Reiniger, to the influential African American filmmaker Julie
Dash and the provocative Scottish contemporary artist Rachel Maclean. Opening with
a foreword from the film theorist Laura Mulvey and a poem by the artist film-maker
Lis Rhodes, Women Artists, Feminism and the Moving Image traces the legacies of early
feminist interventions into the moving image and the ways in which these have been
re-configured in the very different context of today. Reflecting and building upon
the practices of recuperation that continue to play a vital role in feminist art practice
and scholarship, essays discuss topics such as how multiculturalism is linked to experimental
and activist film history, the function and nature of the essay film, feminist curatorial
practices and much more. This book transports the reader across diverse cultural
contexts and geographical contours, addressing complex narratives of subjectivity,
representation and labour, while juxtaposing cultures of film, video and visual arts
practice often held apart. As the editor, Lucy Reynolds, argues: it is at the point
where art, moving image and feminist discourse converge that a rich and dynamic intersection
of dialogue and exchange opens up, bringing to attention practices which might fall
outside their separate spheres, and offering fresh perspectives and insights on those
already established in its histories and canons
Sujet(s) : Féminisme et cinéma
Cinéma et femmes
Réalisatrices de cinéma
Femmes vidéastes
Indice(s) Dewey :
791.430 82 (23e éd.) = Cinéma - Étude en relation avec les femmes
Identifiants, prix et caractéristiques : ISBN 9781784537005. - ISBN 1784537004. - ISBN 9781350113282 (erroné) (ePub ebook).
- ISBN 9781350113299 (erroné) (PDF ebook). - ISBN 9781350124295 (erroné) (XML). -
ISBN 135012429X (erroné) (XML)
Identifiant de la notice : ark:/12148/cb45826404w
Notice n° :
FRBNF45826404
(notice reprise d'un réservoir extérieur)
Table des matières : Introduction: raising voices ; Certain measures / Lis Rhodes. Part 1 Acknowledgements
: In conversation: MORE / Pauline Boudry/Renate Lorenz with Irene Revell ; "In a
tiny realm of her own": Lotte Reiniger's light work / Elinor Cleghorn ; Returning
to "Riddles" / Catherine Grant ; "Being a together woman is a bitch": an "African
American woman's film" genealogy of Julie Dash's "Four Women" (1975) / So Mayer ;
"Film Esperienza." The work of Marinella Pirelli / Lucia Aspesi ; Prescient intersectionality:
women, moving image and identity politics in 1980s Britain / Rachel Garfield. Part
2 Negotiations and engagements : In conversations: Maria Palacios Cruz interviews
Basma Alsharif ; "Overexposed, like an X-ray": the politics of corporeal vulnerability
in Sandra Lahire's experimental cinema / Maud Jacquin ; "Look at Mother Nature on
the run in the 1970s": Penelope Spheeris's "I Don't Know" / Erika Balsom ; Aesthetics
of potentiality: Nguyen Trinh Thi's essay films / May Adadol Ingawanij ; The art
of maximal ventriloquy: femininity as labour in the films of Rachel Maclean / Sarah
Neely and Sarah Smith. Part 3 Situations and receptions : In conversations: Club Des
Femmes, Helena Rickett: an interview on International Women's Day 2017 ; Strategies
of exposure and concealment in moving image art by women; a cross-generational account
/ Catherine Elwes ; Choreographing women's work: multitaskers, smartphone users and
virtuoso performers / Maeve Connolly ; Female solidarity as uncommodified value:
Lucy Beech's "Cannibals" and Rehana Zaman's "Some Women, Other Women and all the Bittermen"
/ Maria Walsh ; Can we still talk about women artists? / Melissa Gronlund.
