Notice bibliographique
- Notice
000 cam 22 3 450
001 FRBNF458067240000002
010 .. $a 9781138314580
010 .. $a 1138314587 $z 9780429456855 $z 0429456859 $z 9780429852978 $z 9780429852985 $z 9780429852961
035 .. $a OCoLC1076229768
100 .. $a 20191120d2019 m y0engy50 ba
101 0. $a eng
102 .. $a US
105 .. $a a z 00|y|
106 .. $a s $a z
135 .. $a drb||||||||||
181 .0 $6 01 $a i $b xxxe
181 .. $6 02 $c txt $2 rdacontent
182 .0 $6 01 $a b
182 .. $6 02 $c c $2 rdamedia
200 1. $a Abstract painting and the minimalist critiques $b Texte électronique $e Robert Mangold, David Novros, and Jo Baer in the 1960s $f Matthew L. Levy
214 .0 $a New York $c Routledge, Taylor & Francis group
214 .4 $d C 2019
215 .. $a 1 ressource dématérialisée (XIII, 199 p.) $c illustrations
225 |. $a Routledge advances in art and visual studies
300 .. $a Includes bibliographical references and index
330 .. $a This book undertakes a critical reappraisal of Minimalism through an examination of
three key painters: Robert Mangold, David Novros, and Jo Baer. By establishing their
substantive engagements with Minimalist discourse, as well as their often overlooked
artistic exchanges with their sculptor peers, it demonstrates that painting crucially
informed the movement's development, serving not only as an object of critique but
also as a crucible for its most central tenets. It also poses broader disciplinary
implications as it historicizes and challenges Minimalism's "death of painting" critiques
that have been so influential to theories of modernism and postmodernism in the visual
arts
410 .0 $0 45393189 $t Routledge advances in art and visual studies (Online) $d 2019
600 .| $3 12550909 $a Mangold $b Robert $f 1937-.... $3 12042895 $x Critique et interprétation $2 rameau
600 .| $3 17011865 $a Novros $b David $f 1941-.... $3 12042895 $x Critique et interprétation $2 rameau
801 .3 $a US $b OCoLC $c 20191120 $h 1076229768 $2 marc21
801 .0 $b DLC $g rda
930 .. $5 FR-759999999:45806724001001 $a ACQNUM-112342 $b 759999999 $c Document numérisé $d N
