Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : électronique
Auteur(s) : Siltanen, Elina
Titre(s) : Experimentalism as reciprocal communication in contemporary American poetry [Texte électronique] : John Ashbery, Lyn Hejinian, Ron Silliman / Elina Siltanen
Publication : Amsterdam ; Philadelphia : John Benjamins Publishing Company, copyright 2016
Description matérielle : 1 online resource
Collection : FILLM studies in languages and literatures, ISSN 2213-428X ; volume 4
Lien à la collection : FILLM studies in languages and literatures (Online)
Note(s) : Includes bibliographical references p. 195-205 and index
La pagination de l'édition imprimée correspondante est de : X-210 p.
Sujet(s) : Ashbery, John (1927-2017) -- Critique et interprétation
Hejinian, Lyn (1941-....) -- Critique et interprétation
Silliman, Ronald (1946-....) -- Critique et interprétation
Poésie expérimentale américaine
Identifiants, prix et caractéristiques : ISBN 9789027266392. - ISBN 9027266395. - ISBN 9789027201317 (erroné). - ISBN 9027201315
(erroné)
Identifiant de la notice : ark:/12148/cb45730246v
Notice n° :
FRBNF45730246
(notice reprise d'un réservoir extérieur)
Table des matières : Experimentalism as Reciprocal Communication in Contemporary American Poetry; Editorial
page; Title page; LCC data; Table of contents; Series editor's preface; Acknowledgements;
Chapter€1. Introduction; 1.1 The poets, their contexts, and readers; 1.2 Reading conspicuously;
1.3 Prospectus; Chapter€2. "What makes you think this is a voice?": Reading presence
and the self; 2.1 From the New York School to Language Writing: Against the single
voice; 2.1.1 Modes of presence: The New York School and confessional poetry; 2.1.2
Constructing the self: Language Writing and the workshop lyric.
2.1.3 "Authenticity" / "sincerity" and Ashbery, Silliman and Hejinian's Postmodernism2.2
Possibilities for multiple presences: Redefining defining the self; 2.2.1 Pronominal
indeterminacies in Ashbery; 2.2.2 "Attention is all"? Silliman's disrupted presences
of the self; 2.2.3 "The self as a relationship": Hejinian writing (her)self; 2.3 "There
is no 'I' as such": Escaping the self; Chapter€3. "Do you see how it posits you the
reader?": Reading in a community; 3.1 Collaborative writing and collective reading;
3.1.1 The New York School: Towards a collective voice.
3.1.2 Language Writing collaborations: Collectivity and strangeness3.2 Hard work:
Becoming a reader; 3.2.1 Making reading communities; 3.2.2 "Joining" a reading community;
3.2.3 Poetic address: Collaborating with readers; 3.3 Reading to escape the self;
Chapter€4, "What of a poem that told you what it did?": Consciousness of poetry; 4.1
Unidentifiable writing: Poetry and criticism; 4.2 Poetic inquiries: Critical readings
in and of poetry; 4.2.1 "new€/ Criticism": Dialogic art-critical discussion in Ashbery's
"Litany."
4.2.2 "Normal chores of verse": Theory-consciousness and constructedness in Silliman's
"Ketjak" and "Ketjak2"4.2.3 "A language of inquiry": Hejinian and the discourse of
poetry; 4.3 The experimental poem as an intersection; Chapter€5. "Pending panic of
sense": Reading everyday communication in experimental poetry; 5.1 "Gazing at the
stars": Particularity and commonality; 5.1.1 " Coming from the same place": Commonality
and context in writing about the everyday; 5.1.2 "This is not repetition": Iteration
and commonality; 5.2 A sense of the idiomatic.
5.2.1 "Transparent and needle-pure": Ashbery's everyday clichés5.2.2 " You spill the
sugar when you lift the spoon": Everyday life turned idiom in Hejinian's writing;
5.2.3 "Cannot shut€/ revolving door": Silliman's idiomatic insistence; 5.3 Happily:
Chance and the unexpected in the everyday; Chapter€6. Afterword: Reading writing as
a shared encounter; References; Primary sources; Secondary sources; Index.
