Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : sans médiation
Titre conventionnel : [Exposition. Berkeley, Art Museum and Pacific Film Archive (BAMPFA). 2017/2018]
Titre(s) : Repentant monk [Texte imprimé] : illusion and disillusion in the art of Chen Hongshou : [Exhibition, Art Museum and Pacific Film Archive (BAMPFA), Berkeley, 5.10.2017-28.01.2018] / edited by Julia M. White ; with essays by Tamara H. Bentley, Patricia Berger, Hiromitsu Kobayashi, Shi-yee Liu, and Richard Vinograd ; appendix by Julia Jaw
Publication : Oakland, California : University of California Press, copyright 2017
Description matérielle : 196 pages : color illustrations (chiefly color) ; 30 cm
Note(s) : "Repentant Monk: Illusion and Disillusion in the Art of Chen Hongshou is organized
by Julia M. White, Senior Curator for Asian Art. The catalogue is made possible with
major support from the Bei Shan Tang Foundation. The exhibition is made possible with
lead support from The American Friends of the Shanghai Museum and The Robert H. N.
Ho Family Foundation"--Colophon. - Includes bibliographical references (pages 189-191) and index
Repentant Monk: Illusion and Disillusion in the Art of Chen Hongshou is the first
U.S. exhibition focusing solely on Chen Hongshou (1599-1652), a major figure in Chinese
painting. Chen has long been regarded as one of the most visually exciting artists
of his time as evidenced in this exhibition by a careful selection of his best extant
work including figure, landscape, and bird and flower paintings drawn from collections
world-wide. Chen's iconic manner of painting figures in the styles of ancient masters
lends an aura of antiquity to his work which is equally charged by distinct expressions
of irony, humor, and pathos. In his landscape paintings we recognize his vast knowledge
of past traditions while in his bird and flower paintings we see a remarkable freshness
and modernity that has tremendous popular appeal. Repentant Monk addresses the need
for a greater historical understanding of this artist's work and breadth of paintings
made during the transitional period of the late Ming and early Qing dynasties (early
to mid- seventeenth century). Chen used "Repentant Monk" (Hui Seng) in seals and signature
for a short period of time but his paintings reflected his personal state of mind
throughout his later period. Published in association with The Berkeley Art Museum
and Pacific Film Archive (BAMPFA). Exhibition: Berkeley Art Museum and Pacific Film
Archive (BAMPFA), USA (25.10.2017-28.01.2018)
Autre(s) auteur(s) : White, Julia M. (1952-....). Éditeur scientifique
Bentley, Tamara Heimarck. Collaborateur
Berger, Patricia Ann (1946-....). Collaborateur
Kobayashi, Hiromitsu (1947-....). Collaborateur
Sujet(s) : Chen, hong shou (1598-1652)
Chen, hong shou (1598-1652) -- Critique et interprétation
Genre ou forme : Catalogues d'exposition
Indice(s) Dewey :
759.951 (23e éd.) = Peinture - Chine
Identifiants, prix et caractéristiques : ISBN 9780520294332. - ISBN 0520294335
Identifiant de la notice : ark:/12148/cb45652105q
Notice n° :
FRBNF45652105
(notice reprise d'un réservoir extérieur)
Table des matières : Repentant monk : illusion and disillusion in the art of Chen Hongshou / Julia M. White
; Enigma and intertextuality : creative response to adversity / Tamara Bentley ;
Printed beauties / Hiromitsu Kobayashi ; Visions of the occult in early figure painting
/ Shi-yee Liu ; Living in a world of regret: Buddhist paintings / Patricia Berger
; Composite identities : portraits / Richard Vinograd ; Catalogue ; Appendix: Inscriptions
and documentation / Julia Jaw.
