Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation
Auteur(s) : Richardson, Robbie (1979-....). Auteur du texte
Titre(s) : The savage and modern self [Texte imprimé] : North American Indians in eighteenth-century British literature and culture / Robbie Richardson
Publication : Toronto : University of Toronto press, copyright 2018
Description matérielle : 1 vol. (X-247 p.) : ill. ; 23 cm
Note(s) : Includes bibliographical references (pages 219-238) and index
"The Savage and Modern Self examines the representations of North American "Indians"
in novels, poetry, plays, and material culture from eighteenth-century Britain. Author
Robbie Richardson argues that depictions of "Indians" in British literature were used
to critique and articulate evolving ideas about consumerism, colonialism, "Britishness,"
and, ultimately, the "modern self" over the course of the century. Considering the
ways in which British writers represented contact between Britons and "Indians," both
at home and abroad, the author shows how these sites of contact moved from a self-affirmation
of British authority earlier in the century, to a mutual corruption, to a desire to
appropriate perceived traits of "Indianess." Looking at texts exclusively produced
in Britain, The Savage and Modern Self reveals that "the modern" finds definition
through imagined scenes of cultural contact. By the end of the century, Richardson
concludes, the hybrid Indian-Brition emerging in literature and visual culture exemplifies
a form of modern, British masculinity."--Provided by publisher
Sujet(s) : Littérature anglaise -- 18e siècle -- Thèmes, motifs
Culture -- Grande-Bretagne -- XVIIIe siècle -- Thèmes, motifs
Indiens d'Amérique -- Dans la littérature
Identifiants, prix et caractéristiques : ISBN 9781487503444. - ISBN 148750344X (rel.)
Identifiant de la notice : ark:/12148/cb45537027c
Notice n° :
FRBNF45537027
(notice reprise d'un réservoir extérieur)
Table des matières : Introduction ; Indians and the construction of Britishness in the early eighteenth century ; The indian as cultural critic: shaping the British self ; Captivity narratives and colonialism ; Novel indians: Tsonnonthouan and the commodification of culture ; Becoming indians: sentiment and the hybrid British subject ; Native North American material culture in the British imaginary ; Conclusion: "pen-and-ink work".