Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : électronique
Titre(s) : A handbook to the reception of classical mythology [Texte électronique] / edited by Vanda Zajko
Publication : Hoboken (N.J.) : Wiley, 2017
Description matérielle : 1 online ressource
Collection : Wiley Blackwell handbooks to classical reception
Lien à la collection : Wiley Blackwell handbooks to classical reception (Online)
Note(s) : Includes bibliographical references and index. - Print version record and CIP data provided by publisher.
La pagination de l'édition imprimée correspondante est de : XIII-482 p.
Autre(s) auteur(s) : Zajko, Vanda. Éditeur scientifique
Sujet(s) : Mythologie classique
Genre ou forme : Guides pratiques
Indice(s) Dewey : 292.13 (23e éd.) = Mythologie (religion classique grecque et romaine)
Identifiants, prix et caractéristiques : ISBN 9781119072102. - ISBN 1119072107. - ISBN 9781119072119. - ISBN 1119072115. - ISBN 9781119071976. - ISBN 1119071976. - ISBN 9781119072034. - ISBN 1119072034. - ISBN 9781444339604 (erroné)
Identifiant de la notice : ark:/12148/cb45531705j
Notice n° :
FRBNF45531705
(notice reprise d'un réservoir extérieur)
Table des matières : Title Page; Copyright Page; Contents; Notes on Contributors; Introduction; Part I
Mythography; Chapter 1 Greek Mythography; Beginnings and Classical Mythography; Post-classical
Mythography ; Closing Thoughts; Guide to Further Reading; References; Chapter 2 Roman
Mythography; Introduction; Surviving Texts; A Case Study: The Mythographic Midas;
From Narrative to Interpretation: Fulgentius; Afterlife; Notes; Guide to Further Reading;
References; Chapter 3 Myth and the Medieval Church; Guide to Further Reading; References;
Chapter 4 The Renaissance Mythographers; Giovanni Boccaccio (1313-1375).
Ludovicus Caelius Rhodiginus (1453-1525), Alexandro ab Alexandro (1463-1525)Georgius
Pictor (1500-1569); Montifalchius; Julianus Aurelius Havrech; Lilio Gregorio Giraldi
(1479-1552); Vincenzo Cartari (1502?-1570?); Natale Conti; François Pomey (1618-1673);
The Occult Tradition; Conceptions of Myth in the Renaissance Mythographers; Translations;
Notes; Guide to Further Reading; References; Chapter 5 Bulfinch and Graves: Modern
Mythography as Literary Reception; Notes; Guide to Further Reading; References; Chapter
6 Myth Collections for Children; Guide to Further Reading; References.
Chapter 7 Contemporary Mythography: In the Time of Ancient Gods, Warlords, and KingsIntroduction;
Echo; Popular Culture and/as Myth; Myth Only Produces More Myth; This is Going to
Make a Great Story; Conclusion; Notes; Guide to Further Reading; References; Primary
sources; Film; Novels; Videogame; TV shows; Fanfiction; Comics and graphic novels;
Secondary sources; Part II Approaches and Themes; Chapter 8 Circean Enchantments and
the Transformations of Allegory; Double Vision; Corrective Lenses; Prisms; Scattered
Beams; Notes; Guide to Further Reading; References.
Chapter 9 The Comparative ApproachThe Eighteenth and Nineteenth Centuries; Smith,
Frazer, Harrison; The Aftermath of the Ritualists; The Eranos Set; Walter Burkert:
Biological Programs and the Orientalizing Revolution; Looking for Difference: Smith,
Lincoln, and Doniger; Notes; Guide to Further Reading; References; Chapter 10 Revisionism;
Notes; Chapter 11 Alchemical Interpretations of Classical Myths; Historical Background;
"Poetic Theology," "Prisca Theologia," and Renaissance Alchemy; Nineteenth- and Twentieth-Century
Survival of the Alchemical Readings of Classical Myths.
An Example of the Diversity of Alchemical Exegeses of MythsThe Classical Scholarship
of the Alchemists; Alchemical elaborations on classical myths; Responses of mythographs
to the alchemical exegesis of myths; Notes; Guide to Further Reading; References;
Chapter 12 Nationalism and Cosmopolitanism: On the Gods of Greece, Italy, and India;
Notes; Guide to Further Reading; References; Chapter 13 The Golden Age; Notes; Guide
to Further Reading; Appendix; Terminology; References; Chapter 14 Matriarchy and Utopia;
Guide to Further Reading; References; Part III Myth, Creativity, and the Mind.