Notice bibliographique
- Notice
000 cam 22 3 450
001 FRBNF454645870000003
010 .. $a 9780520293700
010 .. $a 0520293703
010 .. $a 9780520293717
010 .. $a 0520293711 $z 9780520966918
035 .. $a OCoLC981118070
100 .. $a 20181130d2018 m y0engy50 ba
101 0. $a eng
102 .. $a US
105 .. $a a z 001y|
106 .. $a z
181 .0 $6 01 $a i $b xxxe
181 .. $6 02 $c txt $2 rdacontent
182 .0 $6 01 $a n
182 .. $6 02 $c n $2 rdamedia
200 1. $a Los Angeles documentary and the production of public history, 1958-1977 $b Texte imprimé $f Joshua Glick
214 .0 $a Oakland, [California] $c University of California press
214 .4 $d C 2018
215 .. $a xiv, 277 pages $c illustrations $d 23 cm
300 .. $a Includes bibliographical references and index
330 .. $a "Los Angeles Documentary and the Production of Public History, 1958-1977 explores
how documentarians working between the election of John F. Kennedy and the Bicentennial
created conflicting visions of the recent and more distant American past. Drawing
on a wide range of primary documents, Joshua Glick analyzes the films of Hollywood
documentarians such as David Wolper and Mel Stuart, along with lesser-known independents
and activists such as Kent Mackenzie, Lynne Littman, and Jesús Salvador Treviño.
While the former group reinvigorated a Cold War cultural liberalism, the latter group
advocated for social justice in a city plagued by severe class stratification and
racial segregation. Glick examines how mainstream and alternative filmmakers turned
to the archives, civic institutions, and production facilities of Los Angeles in order
to both change popular understandings of the city and shape the social consciousness
of the nation"--Provided by publisher
676 .. $a 070.180 973 $v 23
801 .3 $a US $b OCoLC $c 20181130 $h 981118070 $2 marc21
801 .0 $b CU-S/DLC $g rda
930 .. $5 FR-759999999:45464587001001 $a 791.436 00701 GLIC l $b 759999999 $c Tolbiac - Rez de Jardin - Audiovisuel - Salle P - Libre accès $d N
