Notice bibliographique
- Notice
000 cam 22 3 450
001 FRBNF454577510000001
010 .. $a 9781107180840
010 .. $a 1107180848
035 .. $a OCoLC987360479
100 .. $a 20180514d2017 m y0engy50 ba
101 0. $a eng
102 .. $a GB
105 .. $a a z 00|y|
106 .. $a z
181 .0 $6 01 $a i $b xxxe
181 .. $6 02 $c txt $2 rdacontent
182 .0 $6 01 $a n
182 .. $6 02 $c n $2 rdamedia
200 1. $a Musical response in the early modern playhouse, 1603-1625 $b Texte imprimé $f Simon Smith
214 .0 $a Cambridge, United Kingdom $a New York, NY, USA $c Cambridge University Press $d 2017
215 .. $a xvi, 246 pages $c illustrations $d 24 cm
300 .. $a Includes bibliographical references and index
330 .. $a "Presupposing no specialist musical knowledge, this book offers a fresh perspective
on the dramatic role of music in the plays of Shakespeare and his early seventeenth-century
contemporaries. Simon Smith argues that many plays used music as a dramatic tool,
inviting culturally familiar responses to music from playgoers. Music cues regularly
encouraged audiences to listen, look, imagine or remember at dramatically critical
moments, shaping meaning in plays from The Winter's Tale to A Game at Chess, and making
theatregoers active and playful participants in playhouse performance. Drawing upon
sensory studies, theatre history, material texts, musicology and close reading, Smith
argues for the importance of music in familiar and less well-known plays including
Antony and Cleopatra, Othello, The Revenger's Tragedy, Sophonisba, The Spanish Gypsy
and A Woman Killed With Kindness"
606 .. $3 14583046 $a Musique et théâtre $3 11931584 $y Grande-Bretagne $3 11975998 $z 17e siècle $2 rameau
606 .. $3 11957876 $a Musique de scène $3 11931584 $y Grande-Bretagne $3 11975998 $z 17e siècle $2 rameau
801 .3 $a US $b OCoLC $c 20180514 $h 987360479 $2 marc21
801 .0 $b DLC $g rda
930 .. $5 FR-751021003:45457751001001 $a VMC-27132 $b 759999999 $c Richelieu - Musique - Magasin $d N
