Notice bibliographique

  • Notice

Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation

Auteur(s) : Wouk, Edward H.  Voir les notices liées en tant qu'auteur

Titre(s) : Frans Floris, 1519/20-70 [Texte imprimé] : imagining a Northern Renaissance / by Edward H. Wouk

Publication : Leiden ; Boston (Mass.) : Brill, copyright 2018

Description matérielle : 1 vol. (XLIX-808 p.) : ill. ; 26 cm

Collection : Brill's studies in intellectual history, ISSN 0920-8607 ; Volume 267
Brill's studies on art, art history, and intellectual history ; Volume 19

Lien à la collection : Brill's studies in intellectual history (Print) 
Brill's studies on art, art history, and intellectual history 


Note(s) : Bibliogr. p. 734-791. Index
Frans Floris de Vriendt radically transformed Netherlandish art. His monumental mythologies introduced a new appreciation for the heroic nude to the Low Countries and his religious art challenged standards of decorum. Born into a family of sculptors and architects, Floris refashioned his art through travel, first studying with the humanist painter Lambert Lombard in Liege and then continuing on to Italy. These experiences defined the hybridizing novelty of his art, forged by juxtaposing antique and modern, Italian and Northern sources. This book maps Floris's hybrid style onto shifting conceptions of cultural, religious, and political identity on the eve of the Dutch Revolt. It explores his collaborations and rivalries, engagement with artistic theory, hierarchical workshop, and revolutionary use of print


Sujet(s) : Floris, Frans (151.-1570) -- Critique et interprétation  Voir les notices liées en tant que sujet


Identifiants, prix et caractéristiques : ISBN 978-90-04-30725-4 (rel.)
EAN 9789004307254

Identifiant de la notice  : ark:/12148/cb45448824t

Notice n° :  FRBNF45448824 (notice reprise d'un réservoir extérieur)



Table des matières : 1. Introduction. fall and redemption: the divine artist ; 2. A portrait of the artist: Floris's biography in context ; 3. Iter Italicum: Floris's Italian journey in context ; 4. Triumphal entry: Floras's return to Antwerp (1546-49) ; 5. The Floris workshop: practice, theory, ritual ; 6. Portraits and head studies ; 7. Experiments in religious art: style and audience ; 8. Ardens amator artium: Floris, Niclaes Jonghelinck, and the nature of Netherlandish art ; 9. Losing faith: Floris's Allegory of the Trinity ; 10. Iconoclasm and Poesie ; 11. Humanæ Societati Necessaria: Frans Floris's vision for the arts ; 12. Coda.

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