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Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : sans médiation

Titre(s) : Traces of the wake [Texte imprimé] : the etching revival in Britain and beyond / editor, David Maskill

Publication : [Wellington] : Adam art Gallery Te Pātaka Toi at Victoria University of Wellington,, 2015

Description matérielle : 1 vol. (47 p.) : ill. en noir ; 19 x 30 cm

Note(s) : Accompanies the exhibition: Traces of the wake : the etching revival in Britain and beyond, held at the Adam Art Gallery, 3 October - 18 December 2014. - Includes bibliographical references
"Curated by David Maskill and his ARTH 403 students, Traces of the Wake brings together more than 60 original prints from private and public collections by British, Australian, French and New Zealand artists working between 1850 and 1930 who were at the vanguard of what has come to be known as The Etching Revival. David Maskill and his Honours' students have delved into this neglected period, when printmakers produced finely crafted prints for an eager market of fine art connoisseurs and a middle-class hungry for traditional subjects in a world that was rapidly changing. The exhibition is structured around the works of three master etchers - Rembrandt, Charles Meryon, and James Abbott McNeill Whistler - who were invoked by the Etching Revivalists as source and inspiration. It examines 'traces' of their legacy in the subjects, styles and processes that were carried over in the practices of British artists such as Muirhead Bone, David Young Cameron, and Francis Seymour Hayden; Australians such as Lionel Lindsay and Mortimer Menpes, and New Zealanders: Harry Linley Richardson, Trevor Lloyd, Mina Arndt, and Frederick Vincent Ellis"--Publisher's website


Autre(s) auteur(s) : Adam art gallery (Wellington)  Voir les notices liées en tant qu'auteur
Maskill, David. Éditeur scientifique  Voir les notices liées en tant qu'auteur


Autre(s) titre(s) conventionnel(s) : [Exposition. Wellington (Nouvelle-Zélande), Adam art gallery. 2014]



Sujet(s) : Gravure à l'eau-forte -- 18e siècle  Voir les notices liées en tant que sujet
Gravure à l'eau-forte -- 19e siècle  Voir les notices liées en tant que sujet
Museum of New Zealand Te Papa Tongarewa (Wellington)  Voir les notices liées en tant que sujet

Genre ou forme : Catalogues  Voir les notices liées en tant que genre ou forme


Identifiants, prix et caractéristiques : ISBN 9781877309335. - ISBN 1877309338

Identifiant de la notice  : ark:/12148/cb45333327w

Notice n° :  FRBNF45333327 (notice reprise d'un réservoir extérieur)



Table des matières : The craft of printing in the etching revival / Eleanor Lee-Duncan ; Drawn from life: Rembrandt's landscape prints and the etching revival / Michael Boyes ; Father figure: Rembrand at the figurative tradition / Anna Rigg ; Structures of feeling: Charles Meryon's architectural legacy / Simon Gennard ; Whistler's riverscapes and the etching revival / Darius Balfoort ; Etched in Venice: fixing the dissolving subject / Lucy Jackson ; Spot the difference! the proliferation of states / Georgina Keyse ; More English than the English: the etching revival comes to Wellington / Jaz O'Donnell ; The etching revival and pictorialism / Ashleigh Hutchinson.

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