Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation
Auteur(s) : Fuhr, Michael (1975-....)
Titre(s) : Globalization and popular music in South Korea [Texte imprimé] : sounding out K-pop / by Michael Fuhr
Publication : New York : Routledge, 2016
Description matérielle : xiii, 256 pages : illustrations, music ; 24 cm
Collection : Routledge studies in popular music ; 7
Lien à la collection : Routledge studies in popular music
Comprend : Introduction: Rising K-pop, pursuing the hyphen ; Configuring K-pop : histories
and production. Inventing Korean popular music : historical formations and genres
(1885-2000) ; Producing the global imaginary : A K-pop tropology ; Complicating
K-pop : flows, asymmetries, and transformations. Temporal asymmetries : music, time,
and the nation-state ; Spatial asymmetries : imaginary places in the transnational
production of K-pop ; Asymmetries of mobility : immigrant stars and the conjuncture
of patriotism, anti-American sentiment, and cyberculture ; Conclusion : "Oppan, Korean
style!" : an imaginary horse ride around the globe ; Appendix I: Korean glossary
; Appendix II: Korean music sales charts 2013
Note(s) : Includes bibliographical references and index
"This book offers an in-depth study of the globalization of contemporary South Korean
idol pop music, or K-Pop, visiting K-Pop and its multiple intersections with political,
economic, and cultural formations and transformations. It provides detailed insights
into the transformative process in and around the field of Korean pop music since
the 1990s, which paved the way for the recent international rise of K-Pop and the
Korean Wave. Fuhr examines the conditions and effects of transnational flows, asymmetrical
power relations, and the role of the imaginary "other" in K-Pop production and consumption,
relating them to the specific aesthetic dimensions and material conditions of K-Pop
stars, songs, and videos. Further, the book reveals how K-Pop is deployed for strategies
of national identity construction in connection with Korean cultural politics, with
transnational music production circuits, and with the transnational mobility of immigrant
pop idols. The volume argues that K-Pop is a highly productive cultural arena in which
South Korea's globalizing and nationalizing forces and imaginations coincide, intermingle,
and counteract with each other and in which the tension between both of these poles
is played out musically, visually, and discursively. This book examines a vibrant
example of contemporary popular music from the non-Anglophone world and provides deeper
insight into the structure of popular music and the dynamics of cultural globalization
through a combined set of ethnographic, musicological, and cultural analysis. Widening
the regional scope of Western-dominated popular music studies and enhancing new areas
of ethnomusicology, anthropology, and cultural studies, this book will also be of
interest to those studying East Asian popular culture, music globalization, and popular
music." -- Publisher's description
Sujet(s) : Musique populaire -- Corée (République)
Musique et mondialisation -- Corée (République)
Identifiants, prix et caractéristiques : ISBN 9781138840010. - ISBN 1138840017. - ISBN 9781138298668. - ISBN 1138298662. -
ISBN 9781315733081 (erroné)
Identifiant de la notice : ark:/12148/cb453311313
Notice n° :
FRBNF45331131
(notice reprise d'un réservoir extérieur)
