Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation
Auteur(s) : Hven, Steffen
Titre(s) : Cinema and narrative complexity [Texte imprimé] : embodying the fabula / Steffen Hven
Publication : Amsterdam : Amsterdam University Press, copyright 2017
Description matérielle : 253 pages : illustrations ; 24 cm
Collection : Film culture in transition, ISSN 2213-7041
Lien à la collection : Film culture in transition
Note(s) : Includes bibliographical references (pages 215-228) and index
Since the mid-1990s, a number of films from international filmmakers have experimented
with increasingly complicated narrative strategies--including such hits as Run, Lola,
Run, 21 Grams, and Memento. This book sets those films and others in context with
earlier works that tried new narrative approaches, including Stage Fright and Hiroshima,
Mon Amour, to show how they reveal the limitations of most of our usual tools for
analyzing film. In light of that, Steffen Hven argues for the deployment of an 'embodied'
reconfiguration of the cinematic experience, one that allows us to rethink such core
constituents of narrative understanding as cognition, emotion, and affect
Sujet(s) : Récit filmique -- Histoire
Nouveauté
Cognition cinématographique
Indice(s) Dewey :
777.550 1 (23e éd.) = Montage et postproduction (cinématographie) - Philosophie et théorie
Identifiants, prix et caractéristiques : ISBN 9462980772. - ISBN 9789462980778. - ISBN 97848530250 (erroné). - ISBN 9789048530250
(erroné)
Identifiant de la notice : ark:/12148/cb45328072w
Notice n° :
FRBNF45328072
(notice reprise d'un réservoir extérieur)
Table des matières : Cinema in the interstices ; Narrative ambiguity in the classical cinema ; Modern(ist)
cinema: logic of the encounter ; Towards the embodied fabula ; The complexity of
complex narratives ; Memento and the embodied fabula.
