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000 cam 22 3 450
001 FRBNF453229460000006
010 .. $a 9781628462395
010 .. $a 9781496813152
010 .. $a 1496813154
010 .. $a 1628462396 $z 9781626746848
035 .. $a OCoLC893899217
100 .. $a 20180118d2015 m y0engy50 ba
101 0. $a eng
102 .. $a US
105 .. $a a z 00|y|
106 .. $a z
181 .0 $6 01 $a i $b xxxe
181 .. $6 02 $c txt $2 rdacontent
182 .0 $6 01 $a n
182 .. $6 02 $c n $2 rdamedia
200 1. $a Geographies of cubanidad $b Texte imprimé $e place, race, and musical performance in contemporary Cuba $f Rebecca M. Bodenheimer
214 .0 $a Jackson [Mississippi] $c University press of Mississippi $d 2015
215 .. $a xiv, 308 pages $c illustrations $d 24 cm
225 |. $a Caribbean studies series
300 .. $a Includes bibliographical references (pages 285-296) and index
327 1. $a Regionalism and the intersections of race and place in Cuba ; "La habana no aguanta
más" : regionalism in the lyrics of Cuban popular music ; "Conciencia de caribeñidad"
: regionalism, folklore oriental, and Santiago's Caribbean connection ; Racialized
discourses of place and rethinking the "Cradle of Afro-Cuban culture" ; Localizing
hybridity ; The politics of place and national traditions : race, regionalism, and
the relationship between rumba and son.
330 .. $a Derived from the nationalist writings of Jos Mart, the concept of Cubanidad (Cubanness)
has always imagined a unified hybrid nation where racial difference is nonexistent
and nationality trumps all other axes identities. Scholars have critiqued this celebration
of racial mixture, highlighting a gap between the claim of racial harmony and the
realities of inequality faced by Afro-Cubans since independence in 1898. In this book,
Rebecca M. Bodenheimer argues that it is not only the recognition of racial difference
that threatens to divide the nation, but that popular regional sentiment further contests
the hegemonic national discourse. Given that the music is a prominent symbol ofCubanidad,
musical practices play an important role in constructing regional, local, and national
identities. This book suggests that regional identity exerts a significant influence
on the aesthetic choices made by Cuban musicians. Through the examination of several
genres, Bodenheimer explores the various ways that race and place are entangled in
contemporary Cuban music. She argues that racialized notions which circulate about
different cities affect both the formation of local identity and musical performance.
Thus, the musical practices discussed in the book--including rumba, timba, eastern
Cuban folklore, and son--are examples of the intersections between regional identity
formation, racialized notions of place, and music-making
410 .0 $0 45150907 $t Caribbean studies series $d 2015
801 .3 $a US $b OCoLC $c 20180118 $h 893899217 $2 marc21
801 .0 $b DLC $g rda
930 .. $5 FR-751131007:45322946001001 $a 2017-242092 $b 759999999 $c Tolbiac - Rez de Jardin - Philosophie, histoire, sciences de l'homme - Magasin $d O
