Notice bibliographique
- Notice
000 cam 22 3 450
001 FRBNF452894310000007
010 .. $a 9781474273688
010 .. $a 1474273688 $z 9781474273695 $z 9781474273718
035 .. $a OCoLC952470499
100 .. $a 20170810d2017 m y0engy50 ba
101 0. $a eng
102 .. $a GB
105 .. $a a z 001y|
106 .. $a r
181 .0 $6 01 $a i $b xxxe $a b $b xb2e
181 .. $6 02 $c txt $c sti $2 rdacontent
182 .0 $6 01 $a n
182 .. $6 02 $c n $2 rdamedia
200 1. $a Colors in fashion $b Texte imprimé $f edited by Jonathan Faiers and Mary Westerman Bulgarella
210 .. $a London $a New York $c Bloomsbury Academic $d 2017
215 .. $a 1 vol. (XVII-227 p.-[24] p. de pl.) $c ill. en coul. $d 24 cm
300 .. $a Bibliogr. en fin de chapitre
327 1. $a Introduction /Jonathan Faiers and Mary Westerman Bulgarella $a Color as theme in the Ebony Fashion Fair /Joy L. Bivins $a Purity and parity: the white dress of the suffrage movement in early twentieth-century
Britain /Kimberly Wahl $a Birds of the same "color" flock together: color as expression of identity and solidarity
in Aso-Ebi cloth of the Yoruba /Margaret Olugbemisola Areo and Adebowale Biodun Areo $a Contradictory colors: tricolor in Vichy France's fashion culture /Emmanuelle Dirix $a Dress and color at the Thai Court /Piyanan Petcharaburanin and Alisa Saisavetvaree $a 'Gold and silver by night': Queen Alexandra: a life in color /Kate Strasdin $a Lord Boston's court uniform: a story of color, politics, and the psychology of belonging
/Deirdre Murphy $a Yellow is the new red, or clothing the recession and how the shade of shame became
chic /Jonathan Faiers $a Color before technicolor: colorized fashion films of the silent era /Michelle Tolini
Finamore $a Color as concept: from International Klein Blue to Viktor & Rolf's "Bluescreen" /Michal
Lynn Shumate $a Tainted love: Oscar Wilde's toxic green carnation, queerness, and chromophobia /Alison
Matthews David $a Starlit skies blue versus Durindone blue /Anna Buruma $a Rough wolves in the sheepcote: the meanings of fashionable color, 1909-1914 /Claire
Rose $a 'Le noir étant la dominante de notre vêture ...': the many meanings of black in postwar
Paris /Beatrice Behlen $a British scarlet broadcloth: the perfect red in Eastern Africa, c.1820 - 1885 /Sarah
Fee $a Lives lived: an archaeology of faded indigo /Kate Irvin
330 .. $a Color speaks a powerful cultural language, displaying political, sexual, and economic
messages that, throughout history, have shown how we relate to ourselves and our world.
This ground-breaking collection is the first to interrogate how color's manifestation
through fashionable and ceremonial dress has played a significant role in the formation
of society, performing dialogues of social acceptance and exclusion, convention and
subversion. From the use of white in pioneering feminism and the French postwar penchant
for black, to mystical scarlet broadcloth and the transformation of arsenic-laden
green from consumer favorite to sexual deviant, this book shows that color in dress
is never straightforward and is as mutable, nuanced, and varied as color itself. Divided
into four thematic parts - solidarity, power, innovation, and desire - each section
highlights the often violent, emotional, and complex histories of color in dress across
geographical, temporal and cultural boundaries
801 .3 $a US $b OCoLC $c 20170810 $h 952470499 $2 marc21
801 .0 $b DLC $g rda
930 .. $5 FR-751131010:45289431001001 $a 2017-141942 $b 759999999 $c Tolbiac - Rez de Jardin - Littérature et art - Magasin $d O
