Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation
Auteur(s) : Murray, Albert (1916-2013)
Titre(s) : Murray talks music [Texte imprimé] : Albert Murray on jazz and blues / Albert Murray ; edited by Paul Devlin ; foreword by Gary Giddins ; afterword by Greg Thomas
Publication : Minneapolis, Minn. ; London : University of Minnesota press, cop. 2016
Description matérielle : xlvi, 273 pages, 8 unnumbered pages of plates : illustrations ; 24 cm
Comprend : Foreword. St. George and the blues / Gary Giddins ; Introduction. Albert Murray
: making words swing, on and off the page / Paul Devlin ; "Art is about elegant form"
: interview with Wynton Marsalis, 1994 ; "Finding ourselves in the role of elder
statesmen" : interview with Dizzy Gillespie, 1985-86 ; "How did Basie come by the
name Count?" : interview with Dan Minor, 1981 ; "Human consciousness lives in the
mythosphere" : interview with Greg Thomas, 1996 ; "Hear that train whistle harmonica!"
: talk at St. John's University with Paul Devlin, 2003 ; "A real conservative? I'm
not one. I'm an avant-garde person" : interview with Russell Neff, 1989 ; "The blues
always come back" : liner notes to Revelations/Blues suite, Alvin Ailey Dance Theater,
1978 ; Second lining, third liners... and the fourth line : notes on a jazz tradition,
2003-2004 ; "Basie's a special guy" : interview with Billy Eckstine, 1983 ; "It's
not bad being Huck" : interview with Janis Herbert and foreword to The world don't
owe me nothing : the life and times of Delta bluesman "Honeyboy" Edwards, by David
"Honeyboy" Edwards, 1997 ; Three omni-American artists : foreword to Mitchell 悾ff
: an American profile in Jazz, by William Zinsser, 2000 ; "I know the world that
these sounds come out of!" : interview with Paul Devlin, 2006 ; "Flexibility, the
art of adapting, and the necessity of continuous creation" : a talk on jazz, delivered
in Morocco, 1956 or 1958 ; "We really integrated Fifty-second Street" : interview
with John Hammond, 1982 ; "No better example of the ungaudy" : biographical sketch
of Count Basie, 2004 ; "It's a mistake to think of any art form in terms of progress"
: interview with Susan Page, 1997 ; "There was no gap : educational gap, cultural
gap, between music education and what Negroes were doing in music" : interview with
Robert G. O'Meally, 1994 ; The achievement of Duke Ellington : a discussion with
Loren Schoenberg and Stanley Crouch, 1989 ; Murray's final published nonfiction
statement : Jazz : notes toward a definition, 2004 ; Afterword. The blues and jazz
as aesthetic statement / Greg Thomas ; Appendix A. Albert Murray's canon of jazz
arrangements, 2001-2002 ; Appendix B. American patterns and variations on rhythm
and tune : an Ellington-Strayhorn list, 1990s.
Note(s) : Includes bibliographical references and index
"Murray Talks Music brings together, for the first time, many of Albert Murray's finest
interviews and essays on music—most never before published—as well as rare liner notes
and prefaces. A celebrated educator and raconteur, and cofounder of Jazz at Lincoln
Center, Murray engages with a variety of scholars and journalists while making insightful
connections among music, literature, and other art forms—all with ample humor and
from unforeseen angles."--Publisher's description
Autre(s) auteur(s) : Devlin, Paul (1980-....). Éditeur scientifique
Sujet(s) : Murray, Albert (1916-2013)
Musiciens de jazz
Blues
Genre ou forme : Entretiens
Indice(s) Dewey :
781.650 922 (23e éd.) = Jazz - Biographie collective
Identifiants, prix et caractéristiques : ISBN 9780816699551. - ISBN 0816699550. - ISBN 9780816698424. - ISBN 0816698422
Identifiant de la notice : ark:/12148/cb45064660w
Notice n° :
FRBNF45064660
(notice reprise d'un réservoir extérieur)