Notice bibliographique
- Notice
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010 .. $a 9780262528108 $b pbk. $b alk. paper
010 .. $a 026252810X $b pbk. $b alk. paper
010 .. $a 9780854882380
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200 1. $a Moving image $b Texte imprimé $f edited by Omar Kholeif
210 .. $a London $c Whitechapel Gallery $a Cambridge, Massachusetts $c The MIT Press $d 2015
215 .. $a 1 vol. (239 p.) $d 21 cm
225 |. $a Documents of contemporary art
300 .. $a Bibliogr. p. 229-232. Index
327 1. $a Introduction: Navigating the moving image / Omar Kholeif ; APPARATUS. Projection
and dis/embodiment: Genealogies of the virtual / Thomas Zummer ; Films beget films
/ Jay Leyda ; 'Pensées' at 59 / Nam Jun Paik ; Hardware / Edith Decker ; Non-fatal
strategies: The art of Nam Jun Paik in the age of postmodernism / John G. Hanhardt
; Interface matters: Screen-reliant installation art / Kate Mondloch ; Statement
/ Morgan Fisher ; Projection instructions / Morgan Fisher ; In conversation with
Marita Sturken / Woody Vasulka ; Inter-view / Gary Hill ; Proposal: Hardware and
software for computer-processed-and-generated video / Hollis Frampton ; Performing/Guzzling
/ Kim Gordon ; On multiple screens / Tim Griffin ; Towards a post-media era / Félix
Guattari ; Media memories / Sven Lütticken ; The pregnant apparatus / Maxa Zoller.
327 1. $a SITUATION. The homelessness of the moving image / Andrew V. Uroskie ; Fluid screens,
expanded cinema / Janine Marchessault and Susan Lord ; Slow motion: In conversation
with Andrew Renton / Susan Hiller ; Cinema and space(s) in the art of Judith Barry
/ Kate Linker ; (Home)icide-House of the present / Judith Barry and Ken Saylor ;
From video art to artists' video / Steven Bode ; In conversation with Adrian Searle
/ Steve McQueen ; On expanded cinema / Karen Mirza and Brad Butler ; Making history:
Omer Fast / Mark Godfrey ; Walking the line: In conversation with Anna Dezeuze /
Francis Alÿs ; Mundane virtuosity: Olga Chernysheva's work on video / Robert Bird
; The producer as artist / Claire Bishop and Francesco Manacorda ; Minerva Cuevas
and the art of para-sitic intervention / Jean Fisher ; Kinomuseum / Ian White ;
Disembodied perspective: Jananne al-Ani / H.G. Masters ; From films to cinema: Entering
the life of traces / Jean-Michel Frodon ; Shared senses of inquietude: Communists
like us / Shanay Jhaveri.
327 1. $a EMBODIMENT. PheNAUMANology / Marcia Tucker ; Finger envy / Andrew Grossman ; Cable
TV's failed utopian vision: In conversation with Nicolás Guagnini / Dara Birnbaum
; In conversation with Mitchell Rosenbaum / Yvonne Rainer ; Partitions of memory
/ Johan Pijnappel ; The haptic object / Rob Mullender ; Performance for the computer
/ Jeremy Bailey ; In conversation with Grant Wahlquist / Stanya Kahn ; The body
on stage and screen: Rabih Mroué's Photo-romance / Kaelen Wilson-Goldie ; Scratching
and stretching skin / Akram Zaatari ; In conversation with Cindy Sherman / Ryan Trecartin
; In conversation with Aaron Cutler and Marianna Shellard / Luther Price ; The unfinished
revolution: Oreet Ashery's Party for Freedom / T.J. Demos ; The internet in our bones
/ Roddy Schrock ; In conversation with Omar Kholeif / Jumana Manna.
327 1. $a MATERIALIZATION. In conversation with Charles Bernstein / George Kuchar ; In conversation
with Michael Nash / Bill Viola ; Scratch and after / George Barber ; In living memory:
Archive and testimony in the films of Black Audio Film Collective / Jean Fisher ;
In conversation with Pallavi Paul / R.V. Ramani ; Ghostly medium: James Coleman's
Charon (MIT Project) / Rebecca Comay and Michael Newman ; Olafur Eliasson: Visionary
events / Jonathan Crary ; Nostalgia for a digital object / Vivian Sobchack ; In
conversation with Alison Rowley / Trinh T. Minh-ha ; The matter of electronics /
Ed Halter ; In defence of the poor image / Hito Steyerl ; On disambiguation / Steve
Reinke ; In discussion with Dan Kidner / Ed Atkins, Melanie Gilligan, Anja Kirschner,
Ben Rivers ; In conversation with Margaret K. Koerner / William Kentridge and Peter
L. Galison ; Moments not remembered / Chris McCormack ; Statement / Basel Abbas
and Ruanne Abou-Rahme ; What's at play in Harun Farocki's Parallel / Christa Blümlinger.
327 1. $a MEDIATION. Before and after UbuWeb: A conversation about artists' film and video distribution
/ Jacob King and Jason Simon ; Original copies: how film and videos became art objects
/ Erika Balsom ; Vulnerabilities and contingencies in film and video art / Pip Laurenson
; Remediation / J. David Bolter and Richard Grusin ; In conversation with Michele
Robecchi / Pipilotti Rist ; In conversation with Joanne McNeil / Kenneth Goldsmith
; In a cinema near you / Iwona Blazwick ; In conversation with Kei Kreutler / Jacolby
Satterwhite ; In conversation with Emanuela Mazzonis / Yuri Ancarani ; Exploding
the frame: Ryan Trecartin's bad language / Travis Jeppesen.
330 .. $a "Moving image is among the most significant expanded fields at contemporary art. This
anthology examines the rising phenomenon of moving image practice in recent art and
theory, tracing its genealogies in experimental cinema and video, body art, performance,
site-specific art and installation from the 1960s onward. Contextualizing new developments
made possible by advances in digital and networked technology, it locates contemporary
art centred on the moving image within a global framework." ; "This anthology examines
the expanded field of the moving image in recent art, tracing the genealogies of contemporary
moving image work in performance, body art, experimental film, installation, and site-specific
art from the 1960s to the present day. Contextualizing new developments made possible
by advances in digital and networked technology, it locates contemporary practice
within a global framework. Among the issues it examines are how new technologies,
forms of apparatus, and modes of editing or framing affect innovations in artistic
practice and strategy; how work is defined by local contexts, and the tensions that
can arise when the local is represented globally; how we define a 'third space' for
the filmic image and whether an installation area can be abstracted from geography;
how performance-based work in this field explores bodies as borders or territories;
the ways in which political, pedagogical, and collective forms of practice have affected
the moving image; and the new platforms and modes of viewing that are evolving in
response to the globally distributed condition of contemporary media." -- Publisher's
description
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